Theatre To See in 2016!
2016 has arrived, so it’s the time of year for theatregoers when we start planning all the shows we need to book for the new year, while pondering what rumours are circulating as to productions that may arrive during the next twelve months. This post has been a great way of organising my own theatregoing, as I see what I’ve yet to book while compiling this list of recommendations! 2015 was an excellent year for me for theatre (read my review of the year here) and I certainly hope 2016 proves to be even better.
So, here are the productions I’m most looking forward to in 2016. I am planning a New York trip in April, but as I’m not yet sure what I will be seeing this list is purely a UK selection and admittedly mainly London-based (although I plan to get to regional theatre more again this year).
16 to see in 2016
1. Sunset Boulevard with Glenn Close (London Colesium – 1st April – 7th May)
The forthcoming production of Sunset Boulevard is my most anticipated show of 2016 so far. It’s a musical I’ve never seen, I’ve never been to the London Coliseum before (this year I’m determined to visit more theatres) and it means I’ll get to see Glenn Close, an actress I greatly admire, on stage. Returning to a role she played back in 1994 on Broadway, tickets for this production’s five week run have been incredibly popular since going on sale last year, but there are still some available.
2. Richard II (with Mr Tennant returns) (Barbican – 7th – 22nd January)
Although I’ve already seen this production during its last run in 2013, as a huge fan of Mr Tennant, especially for Shakespeare (something he seems to effortlessly make modern and accessible to all), I had to include this return of Richard II to the Barbican as part of the King & Country cycle. I am rather sad that Oliver Rix is not returning as Aumerle (who I thought was truly superb last time), but Samuel Marks will no doubt do a fantastic job in his place. Tickets are sold out for the individual performances, but returns are worth looking for.
3. The Encounter by Complicite (Barbican – 12th February – 6th March)
Another production coming to the Barbican which has been on my radar for some time is the latest work involving theatre company Complicite. Directed and performed by Simon McBurney this solo show will transport the audience to the Amazonian rainforest, through sound design to weave McBurney’s story with that of Loren McIntyre, a photographer who became lost in the Amazon in 1969. This wouldn’t normally be my type of theatre, but anything involving Complicite (whose A Disappearing Number and Master and Margarita in 2010 and 2012 respectively I loved) will get my attention. I’m sure this will be a unique experience.
4. People, Places & Things (Wyndham’s Theatre – 15th March – 4th June )
After missing this highly regarded production during its initial run at the National Theatre, I’m thrilled it has a second lease of life in the West End. A new collaboration between the National and Headlong following Earthquakes in London and The Effect, the play introduces us to Emma, currently in rehab, but who thinks it’s the rest of the world that has the problem. I’ve heard nothing but positive comments about this play and the performance of its lead Denise Gough, so I’m looking forward to seeing this at the Wyndham’s.
5. No Man’s Land (Venue TBC – September)
This play was on my list for 2015, in the hope it might arrive by the end of the year. That didn’t happen, but in their New Year’s Eve video message, the dynamic duo of Patrick Stewart and Ian McKellen announced that this production (which played with Waiting For Godot in New York in 2013) would be in London this September. They are both such wonderful actors, but there is something very special seeing them together. If I enjoy this half as much as Waiting For Godot in 2009, I’ll be very happy indeed.
6. Uncle Vanya (Almeida Theatre – 5th February – 26th March)
There is so much about this production which makes it a top choice for 2016. For a start, the ensemble cast contains some brilliant talent including Vanessa Kirby (most recently of the Young Vic’s Streetcar) and Tobias Menzies (whose one man performance in The Fever last year was superb). On top of that is the involvement of Robert Icke, whose production of Oresteia last year topped virtually every theatre list of 2015 (including mine). As with that play, this will be a new interpretation of Chekhov’s Uncle Vanya by Icke, which he will also direct. Expectation as to what he will come up with next is incredibly high, so I hope this delivers.
7. After Miss Julie (Theatre Royal Bath – 24th – 28th May, followed by a tour)
I’ve only seen one previous production of this August Strindberg play, which was the Young Vic’s 2012 version starring Natalie Dormer and it was one I have not forgotten, due to the power of the story and the emotionally charged atmosphere in which it takes place. As that production was also based on the adaptation by Patrick Marber to be used here, I’m thrilled to be able to see it again, with Helen George in the main role. Known to most through Call The Midwife, this role will give her room to show a very different side and I’m looking forward to seeing this in Bath or during the subsequent tour.
8. Nell Gwynn (Apollo Theatre – 4th February – 30th April)
Another production I was sorry to miss last year was Nell Gwynn at the Globe. Although there has been a change of lead actress (with Gemma Arterton replacing Gugu Mbatha-Raw), I’m very much looking forward to a show which many people I know said was a highlight of their theatre year and learning more about the woman who went on to become Britain’s most celebrated actress (and mistress to King Charles II).
9. The Master Builder with Ralph Fiennes (Old Vic – 23rd January – 19th March)
The first 2016 production for the Old Vic looks to be very promising, seeing Ralph Fiennes in the lead role of this Ibsen play. After seeing his brilliant performance in Man & Superman last year, I can’t wait to see Mr. Fiennes on stage again and in this new adaptation by David Hare (most recently having enjoyed success both in London and New York with Skylight), it should be very memorable.
10. The Nap (Sheffield Crucible – 10th – 26th March)
After the success of One Man, Two Guvnors, this is the new comedy from Richard Bean. If that wasn’t enough to get excited about, it’s directed by actor Richard Wilson and stars rising British Hollywood star Jack O’Connell as a young, Sheffield-born snooker player. As this is running in the home of snooker at the Crucible I imagine this will add to the atmosphere of this production and is a fantastic part of Sheffield Theatres wonderful 2016 season.
11. Herons by Simon Stephens (Lyric Hammersmith – 15th January – 13th February)
As it’s been 15 years since this play by Simon Stephens was last in London, I have yet to see it and although I find his work a bit of a mixed bag of enjoyment (last year’s Carmen Disruption was not for me), he’s a playwright whose plays I will always book a ticket to see. Described as an unflinching and incendiary play, I imagine this will not be an easy one to watch, but I hope it will be as powerful as some of his other plays that I have loved.
12. Elegy (Donmar Warehouse – 21st April – 18th June)
This is the only show I have booked for the new Donmar season and the reason is I’m very much looking forward to seeing the next play by Nick Payne, whose constellations has done so well on both sides of the Atlantic in recent years. Set in a near-future where advances in science mean it’s possible to “augment and extend life”, I’m expecting this to be a thought-provoking production.
13. Aladdin (Prince Edward Theatre – currently booking 27th May – 1st October)
Although I do tend to see more plays than musicals, I’ve been looking forward to the arrival from Broadway of Disney’s Aladdin, which had been on my list of things to see in NYC. A Disney musical done well is always good fun and Aladdin already has the advantage of having a strong set of songs from start to finish.
14. The Deep Blue Sea (National Theatre, Lyttleton – TBC, June 2016)
Terence Rattigan remains one of my favourite playwrights and I very much enjoyed the last production of The Deep Blue Sea that I saw in Chichester in 2011. Very little is known yet about this forthcoming production at the National, which will be directed by Carrie Cracknell (whose A Doll’s House at the Young Vic was superb), but I’m certainly hopeful for some wonderful casting. Watch this space.
15. Harry Potter & The Cursed Child (Palace – begins May)
I admit I’m not a Harry Potter fanatic and booked a ticket for this play more out of curiosity than anything else. It’s already had record-breaking ticket sales and is booking until mid-2017, so there is certainly a lot of expectation surrounding the next instalment in J.K Rowling’s universe, set 19 years after the last book. I am very excited though about the recently announced casting, as Jamie Parker has been one of my favourites for a few years and Noma Dumesweni is a brilliant actress. This is already set to be the most discussed and anticipated show of the year.
16. Pink Mist (Bush Theatre – 21st January – 13th February)
After receiving superb reviews last year at the Bristol Old Vic, it’s wonderful that Owen Sheers play, looking at the mental scars of war is coming to London. Inspired by interviews with retired servicemen, Pink Mist centres on three young men, deployed to Afghanistan, but whose greatest challenge is then returning to their old lives and loved ones after all they have experienced. I expect this to be an incredibly emotional and profound piece of theatre, which in the current world will have an even bigger impact on audiences.
As with any year, there are certain rumours swirling in the theatre air about possible productions arriving in 2016 and I’ll certainly be keeping an eye on the ones below over the next few months.
1. Finding Neverland (TBC)
I thoroughly enjoyed the film Finding Neverland and have been hoping this musical adaptation would make its way to London at some point. Nothing has been formally announced yet, although Gary Barlow has said it will be in London this year, so this looks very likely indeed. Those who I know have already seen it in New York were very positive about it and with music and lyrics written by the incredibly talented Mr. Barlow, I’m hopeful this will be a very enjoyable night at the theatre.
2. Colin Morgan in The Pillowman
Martin McDonagh’s latest play, Hangmen, is currently enjoying great success during its West End transfer and so it would be the perfect time to bring one of his earlier plays back to the stage. Rumours last year suggested The Pillowman may indeed make a return, with Colin Morgan linked to the production. I have only ever seen the grainy National Theatre recording of their 2003 production in their archive, but it’s a testament to the power of the piece that it’s still stayed with me. It’s certainly a disturbing and dark play, but I would certainly like the chance to see it live.
3. The Young Chekhov season from Chichester to the National?
This triptych of plays was one of the theatre events I was most sorry to miss last year and therefore I’m hoping the rumours of a transfer to the National Theatre prove to be true. In his new adaptations for the Chichester Festival Theatre, David Hare chose to stage two lesser known Chekhov plays (Platonov and Ivanov) in a season with The Seagull. It had a wonderful ensemble including Anna Chanellor, Sam West and Olivia Vinall and the reviews were all excellent. All my fingers are crossed for a second life for these productions in 2016.
Catch Them Before They Close….!
1. The Dazzle (FOUND 111) – until 30th January
Although there are now only day seats and returns available, it’s certainly worth making the effort to try and nab a ticket for this new play, housed at the top of a warehouse-style building on Charing Cross Road. A story which imagines what the lives of two famous New York hoarders and recluses must have been like, Richard Greenberg’s play is powerful and emotional and contains two superb performances by two of Britain’s best young talents (Andrew Scott and David Dawson). Read my full review here.
2. Hangmen (Wyndham’s Theatre) – until 5th March
As I’ve already mentioned above, this Martin McDonagh play has been widely praised by both critics and theatregoers since it first opened at the Royal Court. After seeing it on its transfer to the West End, it easily made my top ten of 2015. With a brilliant script, wonderful sets and superb acting (particularly Johnny Flynn’s performance), this should be one on everyone’s list for early 2016. Read my full review here.
3. War Horse (New London) – until 12th March
It seems incredible that War Horse is closing in London. It’s become such a fixture since its premiere at the National Theatre in 2007 and move to the New London in 2009, that I expected it to be there forever. Sadly however the show will close on 12th March, before embarking on a UK tour in 2017. There’s certainly something very special about seeing Joey live. He may be a puppet, but the skill of the operators and the beauty of the story means that that is irrelevant. If you haven’t got round to going or want to see it again, make sure you book while you can. I already have my ticket for the last performance.
4. Billy Elliot (Victoria Palace) – until 9th April
Another long-standing show closing in early 2016 is Billy Elliot, which has played at the Victoria Palace Theatre for over ten years. After such a successful film, it’s wonderful that the musical adaptation has been received with such warmth over the years. If you’ve yet to experience the story of a young boy’s love of dance, you have until early April to book your ticket. It is eight years since I last saw the show, so I’ll definitely be visiting one last time before then.
So, hopefully there will be something within my recommendations to appeal to you (or maybe even more than one). I’d love to pick up some more tips for myself, so do leave a comment about what you are excited about seeing in 2016. Happy theatregoing everyone!