Last week saw me return to the Barbican to see Henry IV (which I’d first seen in Stratford-Upon-Avon and then again at the Barbican a year ago). Now back as part of the King and Country cycle I was looking forward to seeing it again. I’ve written at length on this blog about the RSC’s Richard II (click on the tag Richard II for all posts), but in terms of the other plays of the cycle, it was Henry IV that I enjoyed so much more this time around. My overall thoughts on the cycle as a whole will appear in a separate post within the next day.
Antony Sher’s Falstaff, although very good, hadn’t captured my attention and emotion in the same way as Roger Allam had, but on this run I found his performance so much stronger. The voice he uses for Falstaff (which I admit I did find a bit OTT) had been taken down a notch or two and it was a much more settled performance, which I actually very much enjoyed. He still has a lovely relationship with Alex Hassell’s Prince Hal, especially early on and the playful jokes between him, Hal and Poins were lovely to see again. You do indeed see the Eastcheap gang as a family and perhaps understand why Hal enjoys being part of it rather than the Court. This makes the end of Part II all the more poignant as Hal turns away from his former life and his dear friend. Sher’s “I will be sent for” was so sad, as you sense that perhaps even Falstaff knows that’s a lie.
The other key character within Part I has to be Hotspur and although Trevor White’s manic, bleach-blonde performance was certainly different, it did grate on me after a while and I preferred Matthew Needham’s portrayal of this young man through Richard II and Henry IV Part I, which I thought was fantastic. He was able to convey the moments of humour, anger and frustration perfectly, resulting in the audience (or certainly me anyway) liking him and admiring his courage and bravery – putting him in stark contrast to the revelling Prince Hal. This added a different dimension to their final confrontation and it was thrilling to see these two men sword to sword. You yearn for circumstances to be different between these them, here set on opposing trajectories, as you can imagine how perhaps they could have been a great source of strength for each other had they been on the same side. Having seen Needham on stage previously in comedy The Knight of the Burning Pestle at the Sam Wanamaker Playhouse (and on crutches no less after an injury) I knew he’d be a great addition to the ensemble and he certainly didn’t disappoint. Sarah Parks also gave a wonderful Mistress Quickly and Emma King’s Doll was a feisty Scottish lass, whose scene with Anthony Byrne’s Pistol was great fun.
I’m still not a huge fan of Henry IV Part II, but I really enjoyed it on Saturday. It was funny, but not ridiculous and the growing ill health of the King was perfectly captured by Jasper Britton, whose final speech was a key, stand-out moment of the weekend, particularly after you as an audience has travelled with that character over two days through from being Bolingbroke to the dying King Henry. Playing Bolingbroke has certainly enhanced his approach to Henry IV and seeing his decline from confident rebel to weak, dying man was particularly poignant during the cycle. Britton’s wonderful, fatherly relationship with Needham’s Hotspur in Richard II highlighted the distance between him and his own son at the start of Henry IV and seeing them side by side on his deathbed in Part II, at last with an affection that they may never really have had was delicately played by both Britton and Hassell.
My main reason for never enjoying Part II as much as Part I is the interlude away from the main plot to see Falstaff’s visits to Shadow and Silence and on previous visits to this production, as much as I love Oliver Ford Davies and Jim Hooper, it still didn’t really appeal to me. However, as part of the cycle experience they felt like light relief in a much broader way and were much more enjoyable during this viewing. I still don’t think they serve much purpose and for me the play wouldn’t suffer from their absence, but the actors were on fine form on Saturday. I also appreciated the moment Falstaff and Shadow mirrored Bolingbroke and Richard holding either side of the crown. It was a moment I would only ever have picked up on by watching the whole cycle as one.
Another favourite of these productions was Sam Marks’ Ned Poins, who although in Henry IV for only a few scenes, captures the closeness and brotherly affection between him and Hal and the banter and fun of their world, draws the audience in. This only makes it a little more sad to be aware that such frivolity will clearly never last once Hal becomes King. Credit also needs to go to Emma King as Lady Mortimer, whose ability to speak and sing with such emotion in Welsh was incredibly impressive.
Overall, although it’s still my least favourite of the three stories of the cycle, I thoroughly enjoyed this visit to this production, much more so than before and it paved the way wonderfully for Henry V.
Henry IV Parts 1 and 2 can next be seen in China and then New York as part of the King and Country tour. Details can be found here. For those who missed the shows in the UK, an earlier 2014 performance was filmed and is available to buy on DVD from the RSC and all the usual retailers.