2016 Theatre Review – My memorable theatre moments the year!
Having already chosen my top ten productions of the year and my favourite performances of the year, for my last 2016 theatre review post I wanted to look back on my most memorable moments at the theatre in the last twelve months. These are the moments that have stayed in my mind, whether a set, scene or personal experience while seeing a show.
The mind-bending set change at the end of Wild (Hampstead Theatre)
I had heard so many people talk about the staging of Mike Bartlett’s Wild before I arrived at the Hampstead Theatre and that final set change was certainly a sight to be seen! Watching one set change in to another, much starker one was already impressive and then it started to rotate! I admit I was a little distracted from the actual scene itself. Top marks to the set designer and stage management team for this feat.
Watching the cast of Unreachable do all they could to make each other corpse during their final show (Royal Court)
I’d hoped to see Unreachable twice, but had to miss my earlier trip, meaning my only visit was to the final show. Seeing the final performance seemed to heighten the hilarity, as a number of times the cast, particularly Jonjo O’Neil, were trying to throw their fellow cast members off. It was very very funny and one of the most fun trips I’ve had to the theatre.
My return to the wonderful world of Punchdrunk (Sleep No More, NYC)
A Punchdrunk show is always an experience to remember and Sleep No More in NYC was no exception. From the first moments of making my way in to the venue in darkness, to exploring the eerie and intricate rooms and levels, where I sampled the sweets in the shop and leafed through the books on the shelves, right through to my own one-on-one experience with one of the cast, I had a great time. I only hope it’s still there on my next trip.
Genuinely feeling as though someone was behind me blowing in my ear at The Encounter (Barbican)
From immersive theatre to sensory theatre with my trip to Simon McBurney’s one-man show The Encounter. Using special technology (including the head in the photo), he was able to transport us in to the rainforests of Brazil. The moment he had us close our eyes and then created the effect that someone really was behind my right ear, blowing on it, was astonishing. The possibilities for audience interaction in future shows is very exciting indeed if such experiences can now be created.
The magical illusions in Harry Potter & The Cursed Child (Palace)
The most eagerly awaited show on the planet was just as much fun as I’d hoped (and I’m not even a huge Potter fan) and one of the biggest thrills of the theatre year for me was seeing the illusions achieved in this production. I especially loved the entrance to the Ministry of Magic. The cast must be on skates or something backstage to get from one part of the stage to another so fast! A treat for young and old alike.
Watching Glenn Close in Sunset Boulevard from the centre of the front row (London Coliseum)
Glenn Close as Norma Desmond was a performance I’d been looking forward to since it was announced and on seeing it, I just had to go back for a second time. I’m still amazed that this wasn’t a total sell out, but the fact that a week before, I was able to buy a front row ticket was unbelievable. Having Close stand so close to me and deliver that performance was a real thrill for me in 2016.
Saying goodbye to War Horse and Groundhog Day at their final London performances (New London and Old Vic)
I was lucky enough to be at the final London performances of both War Horse at the New London Theatre and Groundhog Day at the Old Vic in 2016. The first show was closing after over nine years, during which it has delighted and moved so many audiences and it was lovely to hear author Michael Morpurgo’s words of thanks to its cast and crew. On the other hand, we’d barely had Groundhog Day in theatreland before it was off to prepare for Broadway. I loved the show (it’s my favourite of 2016) and being able to say a fond farewell to it, from the front row no less, was a joy.
Experiencing the enthusiasm of New York audiences for Shakespeare during the RSC’s King and Country tour (BAM, NYC)
This year also saw my first trip to NYC since 2012 and it was filled with a great deal of wonderful theatre. However, one of the things that truly stood out was during my time at the BAM Harvey Theatre in Brooklyn, where the RSC was showcasing its King and Country cycle. Having seen it in both Stratford-Upon-Avon and London, I was surprised to experience the plays in a new environment. Antony Sher has talked about how the New York audiences were more enthusiastic and I agree with him. There was a new kind of excitement in the venue and lines received an audience response they hadn’t in the UK, which in turn had an effect on the actors. From chatting to other audience members, many had read the plays before coming and had a genuine enthusiasm for the plays. It was wonderful to be a part of it.
Being given a reminder of how precious time and life is by Gavin Plimsole (Greenwich Theatre)
One of the new theatres I visited during 2016 was the Greenwich Theatre and I was rather moved by its show The Inevitable Heartbreak of Gavin Plimsole. As we journey through the last part of Gavin’s life, depicted by marbles dropping through a chute after a certain number of heartbeats, the audience was reminded of how precious life is and how we should not take it for granted. At the end of the show, we each opened a box. Mine had a marble in it for me to keep. I have kept it in my handbag ever since. Sometimes it is the smallest shows that make the biggest impression.
There were so many special moments for me in theatres this year, but those are the ten that have stayed with me the most as I sit here and reflect on the last twelve months. Next I’ll be looking ahead to the productions I’m most excited about in 2017, which I hope to post very soon. If you have some moments that have stood out for you, let me know about them in the comments!