So, tonight saw the airing of the BBC’s adaptation of 2014’s critically acclaimed stage play, King Charles III. It was one of my theatre highlights of that year (you’ll find my original review here) and I was thrilled to hear that such a daring and though-provoking drama was to be brought to the screen, particularly with most of the original main cast.
Now it has aired and after reading such diverse comments about the programme on Twitter, it seemed only right to review this new version and compare it to my experience of Mike Bartlett’s original material.
On seeing it for the first time in the theatre, I imagine I had the same thoughts many tuning in to BBC Two had; starting off with unease and discomfort at what I was watching. These are after all, some of the most familiar people in our lives in Britain. However, the cleverness of the style, structured as if a History play by Shakespeare, in verse, means that although real people, the drama is a step removed from reality, allowing the audience to be absorbed by the characters in front of them, rather than focussing on who they were based on.
Many are also saying that it is disrespectful, but I disagree. I support the Royal Family by and large (especially the Queen and the younger members) and yet I loved this play and equally enjoyed the screen version. It isn’t autobiographical – after all it’s set in the future! Like any good drama, it causes its audience to discuss and debate its content. It requires you to focus and engage with the questions it raises. None of us know what will happen when the Queen passes away and the crown moves to Charles and yes, this is a heightened reality, which I doubt would ever come to pass. However, as a drama, it asks some intriguing questions – Would Charles, who we know has given his political views in the past, resist giving his assent to a law he personally disagreed with? If he did, what would William do? Would he say nothing, or would he in fact do what was necessary in order to preserve the future of the Monarchy if it was put at risk by his father’s actions? Should we even still have a Monarchy, or does the stability of the Monarch actually hold Britain together?
Ultimately these are simply people, just like the rest of us and King Charles III treats them as such, as people with flaws, weaknesses, ambitions and desires. Yes, there are aspects I remain uncomfortable with (in particular, putting words in to the mouths of William and Harry about their mother), but I cannot take offence at something that isn’t claiming to be anything but fiction. In fact, I find myself thinking about the actual Royal Family and their lives in a whole new light.
As for the transition from stage to screen, overall, Mike Bartlett has done a great job in adapting his play for television. There have of course been cuts, mainly to long soliloquies to save time and certain scenes have changed locations (Jess no longer comes to the Palace after her first night on the town with Harry, which I actually think makes much more sense), but on the whole the text and the spirit of the play remains the same, something that I was a little worried may not translate from the stage. Director Rupert Goold (who also directed the play) is perfectly placed to ensure the Shakespearian tone of the piece remains – dramatic in places, mildly comedic in others. I also loved the moments in which characters spoke to camera, preserving the sense of theatre (which is becoming more common on television, with dramas such as House of Cards) and the use of the original music from the play, particularly the haunting Latin singing during the Coronation (which in the theatre gave me goosebumps).
Although, I did prefer the stage play due to my love of theatre and the powerful atmosphere the play brought to the stage, there are elements that, in my opinion, work better, or are improved by this adaptation. The biggest example is the ghostly presence of Diana. I never enjoyed this on stage, finding it rather cheesy and uncomfortable (even though I understood that a Shakespearean History play needs a ghost to steer the fates of the characters). Rather than a woman walking across a stage, here through the use of lighting and echoing voices, these moments actually work much better. Also, the inclusion of scenes showing the rest of the family’s reactions to Charles’ dissolution of Parliament were also welcome television additions, raising the stakes of the unfolding drama.
The acting remains strong in this 90 minute drama, with the key players from the stage stepping back in to their roles (Charles, William, Harry, Camilla and the Prime Minister all the same). I’ve seen a fair amount of comments on social media criticising the acting, but, in my opinion, to think that is to miss the complexity of this piece. This is after all a fictional story, depicting a family we all know incredibly well. Therefore the actors had to find a balance between conveying a realistic portrayal of those we know, but without becoming caricatures of them. This isn’t after all Spitting Image, which would indeed have been cheesy!
Central to this is the incredible performance by Tim Pigott-Smith, whose recent death makes watching this even more poignant. He brings to the screen a man whose whole life has been geared towards this one job and on finally getting it, he faces choices which affect the stability of the whole country. It’s interesting that the law he opposes is one restricting freedom of the press, which may be seen by some as admirable. Yet, the monarch’s role is not to stop laws, but to give their ceremonial assent and it is this decision, followed by his dissolution of a Parliament that he feels opposes him, that results in civil unrest. Over the course of the story, you move from admiration, to frustration and then to deep sympathy for Charles and this is thanks to the rich depth of Pigott-Smith’s performance. The last few scenes are heartbreaking and remind me how much he will be missed.
My favourite role on stage was that of Kate and she is just as strong here (with Charlotte Riley replacing Lydia Wilson). Kate is strong and an equal partner to her husband and her soliloquy to camera captures that strength of resolve. I’m not sure I agree with the Lady Macbeth comparisons, but every Shakespearean History needs an expert manipulator! Oliver Chris also does a fantastic job at playing a conflicted William. He loves his father and yet, ultimately has no choice but to effectively betray him, in order to restore stability. I’ve never seen them as evil as many are saying tonight, as although cruel to Charles, their actions seem necessary to preserve the monarchy that the current Queen has worked decades to protect above all else. This drama now includes their two children and by having William hug his son, as he is faced with the such a hard choice, added an extra layer of emotion to the story. Crucially, the final confrontation between William and Charles was just as powerful to watch on screen, which is all due to the work of the actors.
Adam James (a favourite of mine for years), is back as the Prime Minister, placed in an impossible situation and privy to the later emotional scenes. His interactions with Pigott-Smith and Oliver Chris remain very believable. Margot Leicester provides strong support as Camilla, while Richard Goulding returns to the role of Harry. His was a difficult role on stage, as Harry’s plot line acts as the less weighty aspect of the drama and because of that, comes across as weaker and a bit farfetched. However, the more you think about it, the more sad it is, to see someone adrift and ultimately forced to give up what may have made him happy. It’s a performance that I think you have greater appreciation for the more you watch it. The newcomers to the main cast, Tamara Lawrence as Jess and Priyanga Burford as the Opposition leader were also very good too and I particularly liked the gender switch, meaning the Conservative leader here was also a woman!
Clearly, this drama won’t have appealed to everyone and will have its critics, which is fine by me, provided all those criticising it have actually watched it. It’s also true that theatre will never have the same impact on screen as it does live. However, I applaud the decision of Mike Bartlett, Rupert Goold and the BBC to be bold enough to take such a daring piece of theatre and make it available to a wider audience, while ensuring that those of us who loved the play get to see it again in a new form, for which personally, I’m extremely grateful!
King Charles III is now available in the UK on BBC iPlayer. It will also air in the USA on Sunday 14th May on Masterpiece on PBS. The text of the play is available from Nick Hern Books here.
Is it just me, or does it feel like it’s been a long time since Doctor Who was on our television screens?! Yes, there was the mediocre Christmas special, but after a year without a weekly dose, I tuned in last night with all my fingers crossed and thankfully it didn’t disappoint. We all know that series 10 will be the last for Steven Moffat and Peter Capaldi and I was so pleased that The Pilot saw a return to form, proving to be one of the most enjoyable episodes in a long time.
This series opener acted as the perfect springboard for anyone new to the show, or hoping to introduce others to it, as we see the Doctor meeting Bill Potts (played by Pearl Mackie), the latest companion to be introduced to the fantastical life of the Doctor and his blue box. He is currently undercover as a university professor and Bill has been attending his lectures, despite not being a student. It becomes clear very quickly that she is someone with the curiousness and bravery that appeals to the Doctor and is the ideal candidate to travel through time and space with him and Nardole (continuing to be played with fun & wit by Matt Lucas).
It’s not easy taking on the role as new companion, but Pearl Mackie does a great job in this episode. So much so, that I already felt she’d been around for ages by the time the credits rolled. Bill is strong, independent, clever and able to think on her feet. She’s also kind, caring and not intimidated by the Doctor and takes the revelation of who he is in her stride. She reminded me a lot of Rose from series one, with her simply keen for adventure in her life. She also likes chips too! The Doctor has clearly taken an interest in her, investing time in her education and already displaying a protectiveness towards her. With the photo of his granddaughter Susan on his desk, I’m looking forward to seeing a similar style relationship unfold over the course of this series. Much has been said in the media about Bill’s sexuality, being the first LGBT companion. I think it’s great that a show such as Doctor Who is including such a character without making a fuss about this aspect of her life. It’s simply who she is. It’s early days, but I’m already thinking Bill could be one of my favourite companions yet.
Story-wise, this was a solid start from Steven Moffat. I admit I’ve grown increasingly frustrated with Moffat’s style of storytelling in recent years, with less than satisfactory resolutions to convoluted arcs, so it was great to see him back to writing an entertaining, creepy story without all that baggage. As is his style, this was a scare for children coming via something they see every day. He’s done shadows, statues and snowmen and now it’s the innocent looking puddle outside your front door that could be coming to get you and the episode had just enough creepiness, enhanced by its direction and Murray Gold’s music. The scenes with Bill in her bathroom were even tense enough for the adults watching!
Admittedly, there were ideas here that we’ve seen before in Doctor Who that fans will pick up on. We’ve already had water monsters coming to get you in The Waters of Mars and the eerie repeating of what you say in Midnight, so this wasn’t an original story in every sense, but I don’t mind that too much when the story is engaging (and admittedly only hardcore fans who watch the show a lot will notice these points anyway). I wasn’t sure about the inclusion of the Daleks though. Yes, they are a cornerstone of Doctor Who and in the right story they are brilliant, but this did feel a little unnecessary to The Pilot’s plot, being more a “look it’s Doctor Who with Daleks” stunt. It’s a minor gripe though and overall this was a fun, entertaining and engaging return to this iconic series, which also laid some questions that I assume will unfold over the next few episodes, in particular what is in The Vault and to whom the Doctor promised not to get involved with another companion. I just hope that there is a clear arc this year, culminating in a satisfying farewell to Peter Capaldi.
Welcome back Doctor! I’ve missed you!
Doctor Who continues in the UK on BBC One on Saturday nights and in the USA on BBC America, also on Saturday nights.
Peter Capaldi has announced that he will leave Doctor Who during this year’s Christmas special. Personally, I’m disappointed Capaldi isn’t staying for longer. He’s a great Doctor, but I think the episodes he’s had under Steven Moffat have been somewhat patchy and I would have liked to see his Doctor under Chris Chibnall’s new era. Sadly it’s not to be.
The announcement has unsurprisingly been followed by speculation as to who should replace him. I’ve seen some rather wacky suggestions over the last few days, including actors far too famous (and therefore expensive) to take the role and so it made me start to think about who I’d like to see. Yes, I agree some of the names flying around would be great (Ben Whishaw, Bill Nighy, Rory Kinnear etc.), but I just don’t think they are realistic and so I’ve tried to keep this list within the realms of possibility!
I’ll start with a disclaimer – Personally, I don’t see the Doctor as a woman. I know not everyone agrees with this and I respect that, but for me, the Doctor is a man and I don’t see myself as doing a disservice to my gender by saying that. My list therefore reflects my view.
- Kris Marshall
I’ve been a big fan of Kris Marshall for years and now he’s leaving Death In Paradise, having him become the next Doctor would keep him on my television screen! He’s quirky, capable of comedic and serious work and would bring a new sparkle of fun to the TARDIS. He’s therefore top of my wish list. He also left Death In Paradise to be nearer his family, so regular work in the UK would be perfect for him.
- Bertie Carvel
Bertie Carvel is a fantastic actor, whose stage work is always a joy and although he’s started to be seen more on television (most recently in Doctor Foster), he’s not too famous that having him join Doctor Who doesn’t seem farfetched. I could easily see him handling both light-hearted and darker stories and I can already picture him doing a kick-ass “I’m the Doctor” speech.
- John Heffernen
John Heffernen has been one of my favourite actors since I saw him on stage in 2010 in After The Dance. Why would he make a great Doctor? The answer is his versatility. I’ve seen him tackle all manner of roles on stage and each time he brings a new energy to his work. Although this would take him away from the stage, I’d be willing to accept it if he was swapping this for such a plum television role!
- Rafe Spall
I’ve included Rafe Spall on my list, but I already accept he may already be too famous to be in the position to be open to taking such a role. As his current role in the National Theatre’s Hedda Gabler proves yet again, he has a wonderful way of being able to pivot effortlessly from a playful to dark (and often chilling – did you see The Shadow Line?!) personality and he’s already proved he can take on strong roles in BBC drama.
- Adewale Akinnuoye-Agbaje
I first came across Adewale Akinnuoye-Agbaje as Mr. Eko in Lost and loved the air of mystery he brought to that role. It’s that sense of being a bit of an enigma that I think he’d be able to bring to Doctor Who. With recent Hollywood films Concussion and Suicide Squad on his CV, as well as a brief spell in Game of Thrones, he’s not an unknown, but is still growing in exposure. He’s probably also a good age for the iconic Timelord.
- Sacha Dhawan
Sacha Dhawan is steadily building up a solid television career, which has included roles in a two of Mark Gatiss’s projects (the creepy The Tractate Middoth and the story behind Doctor Who, An Adventure in Time and Space), not to mention a role in the latest series of Sherlock, as well as Line of Duty and Mr Selfridge. He’s certainly an actor on the rise, but someone not too well known, meaning he could bring something fresh to the series, while at the same time building his own profile.
- Stephen Mangan
Stephen Mangan’s name has come up in connection with the role of the Doctor in the past and I have to admit, I quite like the idea. If the BBC are wanting a more established name, he provides that, while also bringing a solid career of work with him of roles that don’t just include comedy. He’s also suitably quirky (and his friendship with David Tennant could lure the latter back for the odd cameo)!
- Jonjo O’Neill
Another theatre favourite of mine is Jonjo O’Neill, who has impressed me on stage with some unforgettable performances. He is also building his television career, with roles in the last series of The Fall and even a small part in the 50th anniversary special of Doctor Who. Jonjo has an energy that not all actors possess (anyone who saw him as Mercutio for the Royal Shakespeare Company or in the recent Royal Court play Unreachable with Matt Smith, can attest to this). Anyone taking on the Doctor needs to have a strong screen presence and someone with the mesmerising quality he has would be an ideal choice.
So, those are my top choices to be the next inhabitant of the TARDIS. What do you think? It’s certainly going to be an interesting time for Doctor Who fans as we await a new series this Spring, as well as any information on what Chris Chibnall has in mind (will he have a writer’s room and who will he pick for it? will he turn to some directors from RTD’s era of the series?).
One thing is certain, it’s Doctor Who’s ability to constantly refresh itself with each new Doctor that makes it so fun to watch!
It’s time to look back on 2016 and I’m starting off with a review of this year’s television offerings. Personally, I think it’s been a fantastic year for television across all channels and online platforms. There have been some fantastic new shows, which have drawn us in and have us anticipating their return, while other series have continued to keep us tuning in for yet another year.
It’s always hard to choose the highlights of the year, but below are the programmes that have really stood out for me over the last twelve months.
The Crown (Netflix)
If any series has impressed me the most this year it’s been The Crown. I’d heard the rumours about how expensive it had been to make, but on seeing it, it was clear to see it was worth every penny Netflix had invested in it! Taking us through from the wedding of Elizabeth and Philip in 1947 to 1955, I became absorbed by the world it created on screen. Everything works in The Crown, resulting in a drama of the highest quality. The acting ensemble is superb, with Jared Harris making me cry as King George, Claire Foy’s award-nominated performance as Elizabeth and actors such as Matt Smith and Vanessa Kirby bringing people we feel we knew to life anew. Combined with strong scripts and direction, gorgeous sets and costumes and a wonderful score, this really was a television highlight.
Line of Duty (series 3, BBC Two)
Line of Duty is a rare series for the simple fact that every series it just gets better. After the excellent second series in 2014, I really didn’t think it could impress me any more. How wrong I was! With the perfect balance of new story and continuing threads left lingering since series one, this was a taut, nail-biting drama that genuinely had me on the edge of my seat (and indeed jumping out of it too). Jed Mercurio’s scripts are a joy to watch and the cast continue to deliver. Take your time writing series four Jed, I’m sure it’ll be worth the wait. If you have yet to watch Line of Duty, catch up fast!
The Night Manager (BBC One)
The BBC drama department didn’t hold back with this adaptation of John Le Carre’s novel. Made in partnership with AMC and The Ink Factory, the additional budget available to the series meant that the result was a hugely impressive, movie-quality production. Heck, I actually preferred this to the latest Bond film! Hugh Laurie was on top form as the charming, yet dangerous Richard Roper, a pregnant Olivia Colman kicked ass as Angela Burr and Tom Hiddleston demonstrated to a new audience outside of theatre and Marvel films what a great actor he is as Jonathan Pine. It was tense, thrilling, visually stunning and superbly acted. Some are sad it will likely never return. I actually think that’s a good thing. Sometimes a series should go out on a high.
Game of Thrones (series 6, HBO/Sky Atlantic)
Game of Thrones series 6 was a bit of a mixed bag, with a few episodes in the middle slowing down in pace somewhat. However, as is always the case, it opened with some strong moments, including the return of Jon Snow (as if he was going to stay dead!) and ended with two of the finest episodes of television I’ve ever seen. The Battle of the Bastards was utterly incredible, showcasing battle scenes worthy of any film (and indeed better than most of them!), while The Winds of Winter took the show further down its darker path as Cersei Lannister shows everyone what a mistake it is to get on her bad side! With only two shorter seasons left, it’s all starting to get very exciting indeed!
Stranger Things (Netflix)
I wasn’t sure whether I’d enjoy Stranger Things, but I’m so pleased I gave it a try, as I loved its mix of dark creepiness, humour and 80s nostalgia (right down to its brilliant title music and sequence). As a kid I loved The Goonies and watching this show took me right back to that era. Indeed part of the fun of watching it was spotting the nods to the films of that decade, whether ET, The Goonies or another. The strength of the acting of its young lead actors was also a surprise and surely Millie Bobby Brown as Eleven has now become an iconic character. Plus I’ll never hang Christmas lights again without thinking about this show!
Planet Earth II (BBC One)
I admit I don’t watch many nature documentaries, but I couldn’t miss David Attenborough’s Planet Earth II, which surely brought some of the most incredible sequences to television this year. Whether the iguana escaping the snakes, the monkeys pinching people’s food in India, the bowerbird with its love heart, or the majesty of the eagles to name just a few moments, the series was breathtaking and really made you remember how much more to life there is on the planet that we all take for granted.
The X-Files (series 10, Channel 5)
As a lifelong X-Phile, the return of my favourite duo to television was bound to make this list! Yes, I admit some of the episodes weren’t as strong as the original run, but as a set of six, I thought they did a great job of showcasing everything that made The X-Files such an iconic series. There was mythology, creepiness and Darin Morgan’s brand of craziness in my favourite instalment “Mulder and Scully Meet The Were-Monster”. The series was always able to switch between these different genres and it was fantastic that by re-assembling the old writers it was able to do the same again and of course it was a thrill to see David Duchovny and Gillian Anderson back together. Was it perfect? No. It was however a revival that made me smile in 2016 and I have my fingers crossed that there will be more to come.
Happy Valley (series 2, BBC One)
Series one of Happy Valley was a highlight of 2014 and this year the second series proved again that Sally Wainwright’s gritty drama was worth tuning in to. Set 18 months after the previous series, we see Catherine Cawood (the excellent Sarah Lancashire) moving forward with life as Tommy Lee Royce (superbly played by James Norton) sits in prison. However, his influence was still felt through the eerily brilliant performance of Shirley Henderson as classroom assistant Miss Wealand, a woman who has become besotted by Royce and manoeuvres herself in to young Ryan’s life. Cawood also had her day job, as we see her working a case that crosses paths with a detective (Kevin Boyle) who finds himself in a terrible situation following an affair. If you have yet to catch Happy Valley, put it on your to-do list for next year.
Olympics 2016 (BBC coverage)
Summer 2016 saw us all tuning in to Rio to watch the finest athletes in the world competing for Olympic honour. I always find the Olympics inspiring, as we see true role models who have worked hard to be there. You can keep all of your shallow footballers and reality stars in my view. Thanks to the BBC’s multi-channel and multi-platform coverage, I literally watched sport for two weeks and it was fantastic. Whether watching Team GB succeed in the velodrome, Bolt making history or Simone Biles’s incredible floor routine, it was a truly satisfying summer and I genuinely missed it once it was over.
The Hollow Crown: The War of the Roses (BBC Two)
The first series of The Hollow Crown took us from Richard II to Henry V and this second series moved the Tudor story along through Henry VI, culminating in the iconic character of Richard III. Shakespeare may not be on everyone’s must-see list, but the BBC’s efforts to make these famous plays appeal to a modern audience deserve attention. Henry VI as a play can drag in places and so this adaptation was able to tighten up the story without losing any of its power and emotion. Hugh Bonneville was on top form as the Duke of Gloucester, Sophie Okonedo was a force to be reckoned with as Margaret and Tom Sturridge’s Henry was a much more emotional and less petulant portrayal than I’d seen before. Then of course there was Benedict Cumberbatch as Richard. It’s a superb performance, that was both chilling and charming and with support from Dame Judi Dench and Keeley Hawes this series really does showcase the strength of the British actors working today.
This list started with one Queen and so it seems only right that it ends with another. The first series of Victoria took us in to the early years of the reign of Queen Victoria. Jenna Coleman (best known for her role in Doctor Who) was excellent as the young woman taking on the role of monarch in a world ruled by men. Her chemistry with Tom Hughes’s Albert really sold their blossoming romance, but it was her close relationship with her first prime minister Lord Melbourne, played by the superb Rufus Sewell that I truly loved and I admit I was very sad when Lord M’s time in her life came to an end. Hopefully series two will be just as strong as the first.
So that was 2016 for me and there were so many shows I didn’t manage to watch (The Night Of and Westworld to name just two). The good news is that 2017 is already shaping up to be just as strong a year. For some suggestions of shows to tune in to next year, feel free to read for post on 17 shows to watch in 2017.
As I took my seat in the auditorium at the BFI in London tonight and the lights went down, I felt a little apprehensive and perhaps a bit nervous. I was after all about to sit and watch the first episode of series three of The Fall in public; this being the series which in previous years has had me watching from behind a pillow! However, it was too tempting to miss, particularly as this preview screening was to be followed by a Q&A with the show’s creator, writer and director Allan Cubitt and stars Gillian Anderson and Jamie Dornan (more on the Q&A at the end of this post for those interested).
Although I don’t plan to give much away about what happens in the first episode (and have not referred to anything we were told was embargoed), I will mention some aspects of episode one here and will also try and set out at the end as much detail of the Q&A as I can so some may class this as containing mild spoilers if you wish to know nothing before tuning in.
Disclaimers out of the way, the third series of the BBC’s superb psychological thriller, picks up exactly where we left events; Rose Stagg has been found, but Paul Spector and DS Anderson have been shot. The stakes are high for Stella Gibson as the man she has pursued over the previous two series is rushed to hospital and a desperate battle to save his life begins. As a result, this episode of The Fall finds us in very different territory to previous episodes, in a sense becoming more of a medical drama. Be warned if you are squeamish of hospital scenes as there’s plenty of blood and guts here!
As well Spector’s fight for life, this opener does set the scene for other storylines that are likely to play out in this series. There is of course Rose Stagg, the woman to survive Spector, who will no doubt have to come to terms with her terrible ordeal, together with her husband (played wonderfully by Jonjo O’Neill). There are also those others affected most profoundly by Spector, particularly his family (I can’t help but feel so sad for his children, who surely cannot remain shielded from the truth in today’s media world) and Katie (still played brilliantly, to the extent I wanted to shake her in to seeing sense, by Aisling Franciosi).
Then of course there is Stella Gibson, who remains one of the most fascinating, strong and multi-faceted characters on television. Gillian Anderson is (unsurprisingly) on excellent form here, in a role she knows so well by now, as we see her emotional reaction to recent events. It’s particularly interesting when she is asked why she reacted with anguish when Spector was shot and you do wonder perhaps if her answer is the whole truth (although Gillian herself says that it is so I believe her!).
One of my favourite moments of the episode was the simple touch of Stella taking the missing person poster of Rose Stagg from the hospital noticeboard; this woman at least she was able to save. There is also a lovely moment between her and Rose’s husband. As she gives him advice on how he should be there for Rose, I again found myself curious as to Stella’s own history. We know she used to have her own rubber band on her wrist and this scene again brings our questions on Stella to the forefront. Creator Allan Cubitt confirmed we would learn a little more, but he and Gillian Anderson have always felt that one of the strengths of the character was the enigmatic nature of her life, so I cannot imagine we’ll ever really know her, and perhaps that’s how it should be. John Lynch also returns as ACC Burns, who finds himself having to defend Gibson’s decision to take Spector to the woodland, which resulted in the shooting. It will be interesting to see how she stands up to any attempts to blame her for what happened and how that will affect her relationship with Burns.
Overall, this is a great start to the third series, laying the base for events to unfold over the coming weeks and it is credit to Cubitt’s style and the characters he has created, that despite Spector being in no position to harm anyone in this episode, I still found myself tensing when nurses went near him alone! It did feel a bit slow in places, but was still an absorbing hour of drama, containing strong performances from its cast. I’m certainly intrigued to see the path the story will take this series and hope the BBC hurries up and announces an airdate!
Q&A with Allan Cubitt, Gillian Anderson & Jamie Dornan
Below is as detailed a record of the Q&A as I can write. The BFI usually uploads its Q&A segments to its website, so I’d keep an eye out for this in the future.
1. Discussing the medical aspects of the series
As this episode takes place predominantly in the hospital setting, the Q&A began with a discussion of the medical element of the series as a whole. Allan Cubitt explained how The Fall has always had a medical element, in the context of while Spector took life, others were trying to save lives. He referred to Sally Ann Spector’s work at the hospital and the deliberate cutting between scenes in which the baby died in the neonatal unit in series one, with Spector’s terrible crimes, in order to convey the enormity of what Spector does. He also talked about having to direct a medical drama for the first time with this episode, which was a new experience for him.
He also touched on how those in the medical profession in Northern Ireland have understood the dilemma of treating patients such as Specter for a long time, particularly during the Troubles and indeed reference to putting clinical need above morals when it comes to medical care is discussed in the episode.
2. Redemption for its characters?
The panel was asked if they thought there was any redemption for any of the characters this series and they all said yes, although refused to say which characters! On being asked specifically if he thought there was anything redeemable about Spector, Jamie Dornan admitted it was hard, but when playing him, he did think there were aspects of him that were commendable (albeit very few!), those being the traces of him being a good, loving father and that he approached his career with professionalism, providing a good quality of support to families who’d been bereaved.
3. Man, monster & method?
Linked to the discussion of the redemptive qualities (if any!) of Spector, Dornan was asked if he felt Spector was man or monster and his approach to playing him. He made clear that it would have been wrong to play him as a monster and that there had to be relateable aspects to him. When playing the scenes with his children, Dornan played them as a father and nothing else, as why would he? In those moments Spector is just a father and a husband and he was keen to avoid the “monstrous” tag. On being asked whether he used method acting for the part (basically meaning staying in character the whole time), Dornan laughingly said he didn’t stay in character all the time, as he probably wouldn’t still be married if he had! He spoke about all actors having their own method, but explained how after all these years he now has ways of locking in to Spector’s psyche without too much build up.
Cubitt also complimented the emotional depth of his lead actors, speaking about Dornan’s personal reaction when they were filming the scene from series two in which Rose Stagg is screaming at the camera. Apparently Dornan watched Valene Kane’s performance on set, with his head in his hands because it had affected him so much, but yet then he was still able to deliver his scenes as Spector talking to the camera afterwards. Cubitt also spoke about Gillian Anderson having not seen those scenes in advance of filming the moments where Stella watches the tapes for the first time, meaning her response to them was genuine, again highlighting the empathetic and powerful actors he has as his leads.
4. The ease of becoming Stella?
Gillian Anderson spoke about it being easy to “put on” the character of Stella now, saying that on going to the wardrobe fittings (at Selfridges apparently!), as soon as the clothes are on, she becomes Stella. Cubitt agreed that the look created for her really worked, as on arriving in Belfast she is presenting a face to the world of a woman doing a professional job.
5. Stella’s relationship with Spector?
As mentioned above, there is a scene in which Stella’s relationship with Spector is questioned, in light of her “anguished” reaction to him being shot. Stella justifies this by saying she didn’t want it to end without him facing justice, as the families needed that closure. On being asked whether she thought Stella’s answer was the truth or whether there was an unhealthy fascination with him, Gillian Anderson agreed that Stella is fascinated by him, but is obsessed with bringing him to justice. It’s hard for Stella to grasp that he may get off without punishment by dying and Anderson thinks Stella made the right choice to go to help him in the immediate aftermath of the shooting. Anderson also highlighted that Stella is a character with flaws, such as her decision to sleep with DS Anderson (Colin Morgan) in series 2, but Cubitt commented that he hoped the characters are true to life in the sense that they are flawed.
6. Stella’s character and background
The panel agreed that Stella Gibson is an important character to have on our screens, as a strong woman in the police force, who is comfortable with who she is as a woman. Anderson admitted that she hadn’t met anyone quite like her and that there were aspects of Stella that aren’t her, but would be fun to adopt. She also spoke about how it is more interesting for the audience not to know her background, although agreed we do learn a little more this series. Cubitt agreed that he’d wanted things to unfold gradually and that the enigmatic nature of Stella has always been important. He talked about there being a scene in which we were to see her call her mother, but that they didn’t keep it, as it would have given an idea of her class and background and that it’s more interesting to wonder what her life away from Belfast is like. We assume she has no partner or children, but on the other hand it wouldn’t totally surprise you if that transpired (he stressed that wasn’t a spoiler / hint at all for the series).
7. Media criticism of The Fall
The criticism the series has faced in the past was also discussed, particularly those press articles which had criticised it for being misogynistic and glamorising violence against women. Cubitt spoke about how much it had upset him on a personal level, as he was the writer and creator so whose fantasies were they saying they were if not his? It was personally insulting, but he didn’t see people who held those views changing them during series 3, as if people have such a “reductive and simplistic” view then a few more episodes of drama wouldn’t change it. To him it is absurd. He spoke about how he’d been contacted by people who had also praised the emotional truth of characters such as Katie and he highlighted how frequently Stella talks about the idea of men, women and violence, raising this topic in a clear and intelligent way. Cubitt also reminded the audience that Spector says he doesn’t hate women, he hates everyone, including himself and that in fact the most violent we see him is when he kills Joe Brawley. It was a fascinating section of the Q&A, which could have become a whole separate conversation on its own.
It was then time for the audience part of the Q&A, which thankfully was filled with intelligent and interesting questions.
8. As an icon and role model since The X-Files, does Gillian Anderson feel a sense of responsibility when choosing her roles?
Gillian admitted that she did feel a certain sense of responsibility, but that even if that wasn’t the case, she would probably still choose the same roles as she has done, because those are the roles she is attracted to.
9. Is this the final chapter of The Fall?
Although the BFI audience tonight was urging the panel not to answer this question, Anderson pointed out they’d been answering it all day, so we’d read it tomorrow anyway! All Cubitt would say is that series three was not necessarily the end of The Fall. I guess we’ll all have to watch and see!
10. What made Allan Cubitt think Jamie Dornan was Paul Spector from his original audition for another role in the drama?
Allan Cubitt was asked what he saw in Jamie Dornan’s audition tape that made him right for Spector, seeing as Dornan had originally auditioned for the role of James Olson. Cubitt spoke about having met Dornan before and wanting to bring him in to audition, but then realising he wasn’t right for the part of Olson. His extraordinary presence on camera convinced Cubitt straight away that he was right for Spector, but that it was felt by others that Dornan should come back and audition again for the role. He did and Cubitt was quite adamant that this was the right actor (to the extent it was Dornan or no one for him) and that on sending the tape to Gillian Anderson she also agreed. Cubitt also commented that as the actor would need to spend 50% of the time on screen alongside Anderson as Stella Gibson, he needed someone with just as much emotional depth and that Dornan had that. He also enthused about the stunning casting for series three.
11. Does Gillian have any advice for young actors when facing rejection?
Gillian’s advice was perseverance and not to take rejection personally as it can be a gift. As long as you leave an audition knowing you gave it everything, the rest is out of your hands.
12. How has Jamie’s view of playing Spector changed since series one, in light of him becoming a husband and father?
Jamie was reminded that at the launch of series one, he’d said he couldn’t relate to Spector as he hadn’t killed someone, wasn’t a husband and wasn’t a father. Now two of those facts have changed (don’t worry, he still hasn’t killed anyone), has his view of the character changed? Dornan agreed that a lot had changed for him since The Fall had begun and that having children is like a reset button for your life (in that everything changes in an instant), but that actually you see less of Spector being a father this series. He spoke about drawing on his love for his niece when he was filming those scenes for series one.
13. Had Allan Cubitt always intended the role of Katie to develop the way she has?
Cubitt said that he had the notion that Katie’s role would develop that way and that throughout The Fall there is the theme at play of people not being parented completely. Katie, for example, has lost her father, something Spector cruelly reminds her about in series two. Cubitt spoke about being fascinated by what Spector thinks of Katie, as she is not on his radar as a victim because he sees her as a child and that it is this warped view that Stella calls him out on. Cubitt wanted Katie to go on a complex journey where she is ultimately learning that there are dangers in the world.
14. When he knew the end game, how did Cubitt map out the story when he had no idea about the number of series he would have?
Cubitt recalled being asked to write for the second series of Prime Suspect, in which he had four hours to map out. That experience had made him realise that that amount of time uses a lot of story! He explained that although he knew the story beats for The Fall, he had also known that there would be detail along the way that he would have to invent and that as characters are invented, they started to dictate side plots as well.
Sadly that was all the panel had time for tonight. As is always the case with the BFI’s previews and Q&As, it was a fascinating insight in to the making of this excellent British drama. No air date was confirmed for The Fall tonight, but hopefully we won’t have too long to wait to find out what the next chapter has in store for Stella Gibson and Paul Spector!
If you have yet to watch The Fall, in the UK it’s available on Amazon Prime and via the BBC Store. The teaser trailer for series three can be viewed here: https://youtu.be/Su8qOzmIRL0
So, tonight marked 11 years since Doctor Who returned to our television screens in the UK with a new Doctor at the helm and a whole new look. I wasn’t a fan back then. Sure I’d enjoyed the Paul McGann special, but that was all really. Yet, the iconic status of Doctor Who in this country meant that on 26th March 2005 I was sitting down with my family to watch its relaunch on BBC One.
Rose may not have been the best episode (it still feels incredibly cheesy to me whenever I watch it), but it was perfect for re-launching the series. The plot was bonkers, but what lifted it to a different level was the performance of its central character – Christopher Eccleston was a superb Doctor from the start. He carried a weight to him that made it plausible that he was hundreds of years old and had suffered a painful past, one which had left him scarred and angry. He held my attention from the beginning. Throw in to the mix a surprisingly (back then anyway) good performance by Billie Piper as Rose, some jokes and some glorious shots of London (I still love the Westminster Bridge moment) and the series was well and truly back.
I admit that I never expected it to do as well as it did and the fact it’s still going strong is wonderful, as it continues to excite and inspire young children. Personally, I’m still not a classic Who fan, but I enjoy “New Who” and have it to thank for introducing me to some of the closest friends I now have and that’s priceless.
So, to mark this 11th birthday (bizarre for a show that has already celebrated its 50th!), here are my favourite 11 moments from New Who. I have to say it’s taken a lot of discipline to keep to just 11! Let me know yours in the comments.
1. The Doctor sees Rose again (The Stolen Earth, series 4)
This moment has been my favourite of New Who ever since I first saw it and nothing has quite matched it since. It’s just so perfectly executed by the cast and crew. There is no dialogue – it doesn’t need it. It just needs Murray’s music and three great performances from Catherine, David and Billie. You don’t need to have seen any of the series before to understand just what seeing Rose again means to the Doctor. It’s all right there on David’s face. Gorgeous.
2. Vincent Van Gogh sees how loved his work is (Vincent & The Doctor, series 5)
Oh I do love Vincent and the Doctor. People may criticise Richard Curtis but he did a superb job with this episode, tackling the subject of depression with such sensitivity, while still bringing a story full of fun and humour, as well as poignancy to the screen. The moment Vincent (played to perfection by Tony Curran) sees his exhibition in Paris and hears how cherished his work is, makes me well up every time. For anyone who thinks Doctor Who doesn’t carry real weight and emotion, you need to see this episode.
3. The Doctor has dinner with Margaret Slitheen (Boom Town, series 1)
Boom Town is a lovely, silly story from the first series and enabled Eccleston to show his ability to play comedy more than perhaps any other episode. The scene in which he and Margaret Slitheen go out to dinner and exchange threats is wonderful, as she tries in vain to kill him, foiled each time by The Doctor being three steps ahead of her! Plus the fact I’ve been able to go to Cardiff Bay and eat in that very restaurant makes it quite fun too!
4. The wall / the beach farewell (Doomsday, series 2)
I think this moment was when Doctor Wo gained so many more loyal fans (and perhaps David Tennant too!). The story of the Doctor and Rose had been a lovely one and their deep affection for each other was always obvious and with the arrival of David Tennant’s Tenth Doctor became something more of a love story. These two people who could never really be together, who were then separated by a dimension, prevented even from finally saying how they truly feel for each other. Doctor Who’s female fanbase is very strong now and I think in part it’s due to David and Billie opening out the universe of the series with this very human relationship. Admit it, you cried at this moment too right?
5. When The Doctor finally has enough of the laws of time (Waters of Mars, series 4 specials)
Waters of Mars was such a superb episode; so much darker in tone and allowing David Tennant to show another side of the Tenth Doctor. I could have chosen so many moments of this show, but I particularly loved the powerful moments as the Doctor walks away from the base, with the sounds of fear and dying of the crew in his ears, to then turn back. He has had enough of the laws of time and is going to finally say enough is enough. Although it’s a path we know he shouldn’t be on, you cannot help but admire the Doctor is this moment as he chooses to go back to help.
6. Fear Is A Superpower (Listen, series 8)
As someone who always liked Jenna Coleman and Clara, the end of Listen remains a highlight of New Who for me. Hearing her gently talking to the young Doctor, to give him strength and comfort, which in turn he will give to the young Danny years later is lovely. It’s also added to by the beautiful score from Murray Gold and is a truly moving and powerful scene from the series.
7. Reunited with Donna Noble (Partners In Crime, series 4)
Ahh Donna Noble, how we all loved her! Seeing her return in series 4 was a true treat and nothing could have been more perfect for her reunion with the Doctor than this wonderfully funny mime scene from Partners In Crime. Both David and Catherine are superb comic actors and this scene kicked off the start of the wonderful thread of comedy and fun that ran throughout this series and is something I still miss.
8. Never trust a hug (Death In Heaven, series 8)
Peter Capaldi’s first series as the Doctor was a very strong one indeed (better than series 9 in my view). After such a brilliant series, this scene towards the end of Death In Heaven was played so perfectly by Peter and Jenna. Each character is so much like the other by this time and so good at hiding their pain from the other, pretending everything is fine. In this one moment the audience was able to see how sad and lonely each one was and how their love for the other meant that they were determined to hide it from them so that they could be happy. “Never trust a hug. It’s just a way of hiding your face.”
9. Rory’s impossible choice (The Girl Who Waited, series 6)
Oh how I loved Rory. He was a character who came such a long way over his time in Doctor Who and at times brought a level of emotion to the episodes that would otherwise have been lacking. The moment he is faced with the choice of which Amy to save in The Girl Who Waited was one of Arthur Darvill’s best moments. Whether to save his young Amy, or the Amy she would have become had she had the time to be lost there for decades as this old Amy had, is an impossible decision. Seeing him cry with confusion and desperation as older Amy begs to be let in to the TARDIS was heartbreaking to watch.
10. Four knocks (The End of Time, series 4 specials)
The End of Time may have been a bit bonkers in places, but the Four Knock scene was a highlight of New Who. The sheer joy and relief on the Doctor’s face as he thinks it’s over, to be replaced so suddenly by utter horror and sadness when Wilf knocks on that door is beautifully played, accompanied by some subtle, but equally powerful music from Murray Gold. It had me in tears the first time I watched it and even now is an emotional piece of drama that the series and the actors should be proud of.
11. A hologram farewell (The Parting of The Ways, series 1)
My final moment to mark this 11th birthday goes to the Doctor who started it all – the Ninth Doctor, Christopher Eccleston. He has been through so much with Rose and in order to save her he does what he thinks is the right thing for her – to send her home, with this final message sent via his hologram. It’s a lovely gesture and shows a real depth to his character. It’s still a shame we didn’t get him in this role for a little longer.
So those are my favourite 11 moments over the last 11 years of this iconic British series, one which has brought so much joy and fun to so many for over 50 years now. Thanks very much Doctor Who – long may you continue to let us travel through time and space with you!
After looking back at my television highlights of 2015, it’s time to look at what television treats we can expect in 2016. There are exciting dramas returning to the screen, as well as some new offerings which I’m curious to try. So, here are my top choices of programmes to tune in to this year. As I’m in the UK, this list refers to dates and channels on which the shows will be aired here (if known).
The X-Files (Channel 5 – early February)
Anyone who knows me will have expected nothing else to be top of my teleevision choices list for 2016! The X-Files was my first addiction and would probably still be my category if I were ever to go on Mastermind. Therefore, it’s fantastic that it is returning to our screens, albeit for only six episodes. With David Duchovny and Gillian Anderson back in such iconic roles, Chris Carter back at the helm and stories also from Glen Morgan, James Wong and Darin Morgan, this is already very promising. I sincrely hope this delivers for all the fans, but also pulls some new viewers in too. Remember, The Truth is Still Out There!
The Hollow Crown: The Wars of the Roses (BBC Two)
In the hope this would air in 2015, this was also on last year’s list, but we can expect the second series of the BBC’s Hollow Crown some time in the next few months. Entitled The Wars of the Roses, this captures Henry VI and Richard III, with some of Britain’s brightest acting talent involved. Alongside Benedict Cumberbatch as Richard, there’s Dame Judi Dench, Sophie Okenedo, Andrew Scott, Tom Sturridge and Michael Gambon to name but a few. If the quality is as high as the first series (recommended if you missed it), then we are in for a treat.
Happy Valley (BBC One)
I came late to Happy Valley in 2014, but it impressed me almost immediately, with Sarah Lancashire playing such a strong and complicated character as Catherine Cawood. After the traumatic events of the first series, it will be interesting to see what writer Sally Wainwright has in mind for her next. I’m sure it will prove to be just as exciting and engaging as before and especially when the teaser trailer just released includes James Norton as the awful Tommy Lee Royce!
Line of Duty (BBC One)
Line of Duty quickly became a success (with help from social media fuelling interest) and with two strong series, both with separate stories, the possibilities are endless of Jed Mercurio’s drama. After focussing on Lennie James’s Tony Gates in series one and Keeley Hawes’s superb multi-faceted performance as Lindsay Denton in series two, the bar has been set very high for the next instalment. With Vicky McClure and Martin Compton being joined by Daniel Mays and Will Mellor, I’m already very excited to see this and will be going to a BAFTA preview screening of episode one on 8th February, so we can expect this some time in the near future.
Game of Thrones (Sky Atlantic, 25th April)
Although the last series was a bit of a mixed bag (but made up for with Hardhome!), I’ll always look forward to my return to Westeros. Now that we are in uncharted territory, with the majority of characters past book positions, anything could happen in series six and in a show where no one is safe, that is very exciting indeed. Filming photos suggest there will be some wonderful sequences in the new series and I’m looking forward to finally moving forward with the story (seeing as who knows when we’ll get book six from Mr Martin)!
James Norton will be back on our screens again for the second series of Grantchester, in which he plays the lovely vicar, turned detective Sydney Chambers, in stories based on the novels by James Runcie (the opposite end of the spectrum to his character in Happy Valley thank goodness). This was a lovely drama when it aired in 2014, with some interesting charcater relationships and a great partnership in James Norton and Robson Green. Anyone mourning the end of Lewis can take comfort in this series as a worthy replacement.
The Unbreakable Kimmy Schmidt (Netflix, 15th April)
I admit to being a person who prefers dramas to comedies, on both film and television, but after two friends raved about this Netflix series last year, curiosity got the better of me and I’m so pleased that it did. You cannot fail to warm to the ever optimistic, innocently naive Kimmy Schmidt, as she adjust to life in the real world after 15 years spent in an underground bunker. The scripts are witty and sharp, the characters are fun (who doesn’t love Tituss Burgess’s loveable Titus Andromedon!) and the acting is very good indeed. If you haven’t been tempted yet, give it a go – I guarantee you’ll be humming the theme tune all day.
The Crown (Netflix)
“Two houses, two courts, one Crown.” The first trailer for this upcoming, ambitious new Netflix series has just been released (see above) and it looks very promising. The Crown will chart the two key istitutions of Britain – the monarchy and the government, from the 1950s onwards. Written by Stephen Daldry (writer of the acclaimed play The Audience), with a huge £100 million budget and starring some excellent actors, particularly Claire Foy as the young Elizabeth II (last seen playing Anne Boleyn in Wolf Hall), Matt Smith as Prince Philip, Alex Jennings as Prince Edward, Vanessa Kirby as Princess Margaret and John Lithgow as Churchill, this could be a historical drama to rival the BBC if the quality is there.
Queen Victoria (ITV)
Staying on the historical theme, ITV will later this year be casting a light on the young Queen Victoria in their new eight part drama series. Fresh from her time on Doctor Who, Jenna Coleman is the young Victoria, as the series charts her life from accession at 18, through to her marriage to Prince Albert. It has a fantastic cast including Tom Hughes (as Prince Albert), Rufus Sewell, Peter Firth, Eve Myles and Nigel Lindsay. I still really only know about Queen Victoria’s later life and reign and therefore I’m looking forward to seeing a new aspect of her story.
House of Cards (Netflix, 4th March)
Everyone loves Frank Underwood right? Or is too scared not to?! In the series which undoubtedly helped Netflix become the success it is now, Kevin Spacey has become so iconic in this role and his partnership with Robyn Wright is always glorious to watch. Now occupying the Oval Office, it will be interesting exactly what lies in store for them in the next series.
Death in Paradise (BBC One – started Thursday 7th January)
Another heart-warming and fun series that blows away the winter blues is Death In Paradise, which returned this week. I didn’t see the first two series, but as a fan of the lovely Kris Marshall, I’ve thoroughly enjoyed watching Humphrey settle in to island life. How can anyone not love him?! It’s fun, entertaining and is Sherlock Holmes on a tropical island, as Humphrey seemingly solves murders using clues that no one else can see. Yes, your parents may watch it, but so what? This is a brilliant winter tonic!
The Night Manager (BBC One)
Coming soon in 2016 is this six-part adaptation of John Le Carre’s novel, in which a former British soldier (Tom Hiddleston) is recruited by intelligence agent Burr (Olivia Colman) to infiltrate the arms trade being run by Richard Onslow Roper (Hugh Laurie). I haven’t read the book, but I love a good spy thriller and with such a strong British cast I have high hopes for this series.
Undercover (BBC One)
As a fan of the BBC’s legal drama Silk, it’s wonderful that its creator Peter Moffat has a new series coming this year. Sophie Okenedo leads the show as the first black Director of Public Prosecutions, who discovers her husband (Adrian Lester) has been lying to her for years. I’m intrigued enough to tune in!
In the Pipeline / Awaiting a UK network…..
I always enjoyed Prison Break, although admittedly the first series was certainly the best. News that it is the next show to be revived is a bit of a surprise, but I’ll tune in to see what direction the story takes next. I believe it will be set as though the finale (in which we said farewell to one character for good) didn’t occur. After watching them act together in The Flash it’ll be great to see Wentworth Miller and Dominic Purcell back in the roles they are most famous for.
Of Kings & Prophets (starts in the US on 8th March on ABC)
I imagine the makers of this new biblical series are hoping it’ll attract the same audience as Game of Thrones. Its success will depend on whether it’s decent and can attract an audience fast enough. The pilot has already been partly recast and reshot, but the trailer looks promising. With established actors including Ray Winstone (as Saul, King of Israel) and Nathaniel Parker, hopefully the acting quality will be strong. For me though the biggest attraction is its young, male lead, playing David (as in David vs. Goliath, future King of Israel) Oliver Rix. He was Aumerle to David Tennant’s Richard II in 2013 for the RSC and proved what a fantatstic actor he is. I hope this does well (but doesn’t keep Oli away from the stage for too long)!
Damian Lewis is back on television is this new US series, playing hedge fund king Bobby “Axe” Axelrod, who is trying to be brought down by US Attorney Chuck Rhoades (played by Paul Giamatti). Having just started in the US on Showtime, I’ll be keeping an eye how this series is received. Given the pull of the two stars, if it is successful hopefully it’ll soon appear here in the UK.
His Dark Materials (BBC One)
I’m quite excited by the prospect of the BBC adapting Philip Pullman’s popular trilogy of books in to a series, especially after the success of last year’s Jonathan Strange & Mr Norrell. Admittedly, this may not make it on to our screens until next year, but just in case, I wanted to include it here, as I’m sure it will prove to be a wonderful series for all the family, whether a fan of the books or not.
So those are the shows I’m most excited about watching in 2016 from the ones we know about this early on in the year. Who knows what else could be coming to our screens over the next 12 months! Feel free to let me know what you will be watching. I’m always looking for recommendations!