Is it just me, or does it feel like it’s been a long time since Doctor Who was on our television screens?! Yes, there was the mediocre Christmas special, but after a year without a weekly dose, I tuned in last night with all my fingers crossed and thankfully it didn’t disappoint. We all know that series 10 will be the last for Steven Moffat and Peter Capaldi and I was so pleased that The Pilot saw a return to form, proving to be one of the most enjoyable episodes in a long time.
This series opener acted as the perfect springboard for anyone new to the show, or hoping to introduce others to it, as we see the Doctor meeting Bill Potts (played by Pearl Mackie), the latest companion to be introduced to the fantastical life of the Doctor and his blue box. He is currently undercover as a university professor and Bill has been attending his lectures, despite not being a student. It becomes clear very quickly that she is someone with the curiousness and bravery that appeals to the Doctor and is the ideal candidate to travel through time and space with him and Nardole (continuing to be played with fun & wit by Matt Lucas).
It’s not easy taking on the role as new companion, but Pearl Mackie does a great job in this episode. So much so, that I already felt she’d been around for ages by the time the credits rolled. Bill is strong, independent, clever and able to think on her feet. She’s also kind, caring and not intimidated by the Doctor and takes the revelation of who he is in her stride. She reminded me a lot of Rose from series one, with her simply keen for adventure in her life. She also likes chips too! The Doctor has clearly taken an interest in her, investing time in her education and already displaying a protectiveness towards her. With the photo of his granddaughter Susan on his desk, I’m looking forward to seeing a similar style relationship unfold over the course of this series. Much has been said in the media about Bill’s sexuality, being the first LGBT companion. I think it’s great that a show such as Doctor Who is including such a character without making a fuss about this aspect of her life. It’s simply who she is. It’s early days, but I’m already thinking Bill could be one of my favourite companions yet.
Story-wise, this was a solid start from Steven Moffat. I admit I’ve grown increasingly frustrated with Moffat’s style of storytelling in recent years, with less than satisfactory resolutions to convoluted arcs, so it was great to see him back to writing an entertaining, creepy story without all that baggage. As is his style, this was a scare for children coming via something they see every day. He’s done shadows, statues and snowmen and now it’s the innocent looking puddle outside your front door that could be coming to get you and the episode had just enough creepiness, enhanced by its direction and Murray Gold’s music. The scenes with Bill in her bathroom were even tense enough for the adults watching!
Admittedly, there were ideas here that we’ve seen before in Doctor Who that fans will pick up on. We’ve already had water monsters coming to get you in The Waters of Mars and the eerie repeating of what you say in Midnight, so this wasn’t an original story in every sense, but I don’t mind that too much when the story is engaging (and admittedly only hardcore fans who watch the show a lot will notice these points anyway). I wasn’t sure about the inclusion of the Daleks though. Yes, they are a cornerstone of Doctor Who and in the right story they are brilliant, but this did feel a little unnecessary to The Pilot’s plot, being more a “look it’s Doctor Who with Daleks” stunt. It’s a minor gripe though and overall this was a fun, entertaining and engaging return to this iconic series, which also laid some questions that I assume will unfold over the next few episodes, in particular what is in The Vault and to whom the Doctor promised not to get involved with another companion. I just hope that there is a clear arc this year, culminating in a satisfying farewell to Peter Capaldi.
Welcome back Doctor! I’ve missed you!
Doctor Who continues in the UK on BBC One on Saturday nights and in the USA on BBC America, also on Saturday nights.
Peter Capaldi has announced that he will leave Doctor Who during this year’s Christmas special. Personally, I’m disappointed Capaldi isn’t staying for longer. He’s a great Doctor, but I think the episodes he’s had under Steven Moffat have been somewhat patchy and I would have liked to see his Doctor under Chris Chibnall’s new era. Sadly it’s not to be.
The announcement has unsurprisingly been followed by speculation as to who should replace him. I’ve seen some rather wacky suggestions over the last few days, including actors far too famous (and therefore expensive) to take the role and so it made me start to think about who I’d like to see. Yes, I agree some of the names flying around would be great (Ben Whishaw, Bill Nighy, Rory Kinnear etc.), but I just don’t think they are realistic and so I’ve tried to keep this list within the realms of possibility!
I’ll start with a disclaimer – Personally, I don’t see the Doctor as a woman. I know not everyone agrees with this and I respect that, but for me, the Doctor is a man and I don’t see myself as doing a disservice to my gender by saying that. My list therefore reflects my view.
- Kris Marshall
I’ve been a big fan of Kris Marshall for years and now he’s leaving Death In Paradise, having him become the next Doctor would keep him on my television screen! He’s quirky, capable of comedic and serious work and would bring a new sparkle of fun to the TARDIS. He’s therefore top of my wish list. He also left Death In Paradise to be nearer his family, so regular work in the UK would be perfect for him.
- Bertie Carvel
Bertie Carvel is a fantastic actor, whose stage work is always a joy and although he’s started to be seen more on television (most recently in Doctor Foster), he’s not too famous that having him join Doctor Who doesn’t seem farfetched. I could easily see him handling both light-hearted and darker stories and I can already picture him doing a kick-ass “I’m the Doctor” speech.
- John Heffernen
John Heffernen has been one of my favourite actors since I saw him on stage in 2010 in After The Dance. Why would he make a great Doctor? The answer is his versatility. I’ve seen him tackle all manner of roles on stage and each time he brings a new energy to his work. Although this would take him away from the stage, I’d be willing to accept it if he was swapping this for such a plum television role!
- Rafe Spall
I’ve included Rafe Spall on my list, but I already accept he may already be too famous to be in the position to be open to taking such a role. As his current role in the National Theatre’s Hedda Gabler proves yet again, he has a wonderful way of being able to pivot effortlessly from a playful to dark (and often chilling – did you see The Shadow Line?!) personality and he’s already proved he can take on strong roles in BBC drama.
- Adewale Akinnuoye-Agbaje
I first came across Adewale Akinnuoye-Agbaje as Mr. Eko in Lost and loved the air of mystery he brought to that role. It’s that sense of being a bit of an enigma that I think he’d be able to bring to Doctor Who. With recent Hollywood films Concussion and Suicide Squad on his CV, as well as a brief spell in Game of Thrones, he’s not an unknown, but is still growing in exposure. He’s probably also a good age for the iconic Timelord.
- Sacha Dhawan
Sacha Dhawan is steadily building up a solid television career, which has included roles in a two of Mark Gatiss’s projects (the creepy The Tractate Middoth and the story behind Doctor Who, An Adventure in Time and Space), not to mention a role in the latest series of Sherlock, as well as Line of Duty and Mr Selfridge. He’s certainly an actor on the rise, but someone not too well known, meaning he could bring something fresh to the series, while at the same time building his own profile.
- Stephen Mangan
Stephen Mangan’s name has come up in connection with the role of the Doctor in the past and I have to admit, I quite like the idea. If the BBC are wanting a more established name, he provides that, while also bringing a solid career of work with him of roles that don’t just include comedy. He’s also suitably quirky (and his friendship with David Tennant could lure the latter back for the odd cameo)!
- Jonjo O’Neill
Another theatre favourite of mine is Jonjo O’Neill, who has impressed me on stage with some unforgettable performances. He is also building his television career, with roles in the last series of The Fall and even a small part in the 50th anniversary special of Doctor Who. Jonjo has an energy that not all actors possess (anyone who saw him as Mercutio for the Royal Shakespeare Company or in the recent Royal Court play Unreachable with Matt Smith, can attest to this). Anyone taking on the Doctor needs to have a strong screen presence and someone with the mesmerising quality he has would be an ideal choice.
So, those are my top choices to be the next inhabitant of the TARDIS. What do you think? It’s certainly going to be an interesting time for Doctor Who fans as we await a new series this Spring, as well as any information on what Chris Chibnall has in mind (will he have a writer’s room and who will he pick for it? will he turn to some directors from RTD’s era of the series?).
One thing is certain, it’s Doctor Who’s ability to constantly refresh itself with each new Doctor that makes it so fun to watch!
So, tonight marked 11 years since Doctor Who returned to our television screens in the UK with a new Doctor at the helm and a whole new look. I wasn’t a fan back then. Sure I’d enjoyed the Paul McGann special, but that was all really. Yet, the iconic status of Doctor Who in this country meant that on 26th March 2005 I was sitting down with my family to watch its relaunch on BBC One.
Rose may not have been the best episode (it still feels incredibly cheesy to me whenever I watch it), but it was perfect for re-launching the series. The plot was bonkers, but what lifted it to a different level was the performance of its central character – Christopher Eccleston was a superb Doctor from the start. He carried a weight to him that made it plausible that he was hundreds of years old and had suffered a painful past, one which had left him scarred and angry. He held my attention from the beginning. Throw in to the mix a surprisingly (back then anyway) good performance by Billie Piper as Rose, some jokes and some glorious shots of London (I still love the Westminster Bridge moment) and the series was well and truly back.
I admit that I never expected it to do as well as it did and the fact it’s still going strong is wonderful, as it continues to excite and inspire young children. Personally, I’m still not a classic Who fan, but I enjoy “New Who” and have it to thank for introducing me to some of the closest friends I now have and that’s priceless.
So, to mark this 11th birthday (bizarre for a show that has already celebrated its 50th!), here are my favourite 11 moments from New Who. I have to say it’s taken a lot of discipline to keep to just 11! Let me know yours in the comments.
1. The Doctor sees Rose again (The Stolen Earth, series 4)
This moment has been my favourite of New Who ever since I first saw it and nothing has quite matched it since. It’s just so perfectly executed by the cast and crew. There is no dialogue – it doesn’t need it. It just needs Murray’s music and three great performances from Catherine, David and Billie. You don’t need to have seen any of the series before to understand just what seeing Rose again means to the Doctor. It’s all right there on David’s face. Gorgeous.
2. Vincent Van Gogh sees how loved his work is (Vincent & The Doctor, series 5)
Oh I do love Vincent and the Doctor. People may criticise Richard Curtis but he did a superb job with this episode, tackling the subject of depression with such sensitivity, while still bringing a story full of fun and humour, as well as poignancy to the screen. The moment Vincent (played to perfection by Tony Curran) sees his exhibition in Paris and hears how cherished his work is, makes me well up every time. For anyone who thinks Doctor Who doesn’t carry real weight and emotion, you need to see this episode.
3. The Doctor has dinner with Margaret Slitheen (Boom Town, series 1)
Boom Town is a lovely, silly story from the first series and enabled Eccleston to show his ability to play comedy more than perhaps any other episode. The scene in which he and Margaret Slitheen go out to dinner and exchange threats is wonderful, as she tries in vain to kill him, foiled each time by The Doctor being three steps ahead of her! Plus the fact I’ve been able to go to Cardiff Bay and eat in that very restaurant makes it quite fun too!
4. The wall / the beach farewell (Doomsday, series 2)
I think this moment was when Doctor Wo gained so many more loyal fans (and perhaps David Tennant too!). The story of the Doctor and Rose had been a lovely one and their deep affection for each other was always obvious and with the arrival of David Tennant’s Tenth Doctor became something more of a love story. These two people who could never really be together, who were then separated by a dimension, prevented even from finally saying how they truly feel for each other. Doctor Who’s female fanbase is very strong now and I think in part it’s due to David and Billie opening out the universe of the series with this very human relationship. Admit it, you cried at this moment too right?
5. When The Doctor finally has enough of the laws of time (Waters of Mars, series 4 specials)
Waters of Mars was such a superb episode; so much darker in tone and allowing David Tennant to show another side of the Tenth Doctor. I could have chosen so many moments of this show, but I particularly loved the powerful moments as the Doctor walks away from the base, with the sounds of fear and dying of the crew in his ears, to then turn back. He has had enough of the laws of time and is going to finally say enough is enough. Although it’s a path we know he shouldn’t be on, you cannot help but admire the Doctor is this moment as he chooses to go back to help.
6. Fear Is A Superpower (Listen, series 8)
As someone who always liked Jenna Coleman and Clara, the end of Listen remains a highlight of New Who for me. Hearing her gently talking to the young Doctor, to give him strength and comfort, which in turn he will give to the young Danny years later is lovely. It’s also added to by the beautiful score from Murray Gold and is a truly moving and powerful scene from the series.
7. Reunited with Donna Noble (Partners In Crime, series 4)
Ahh Donna Noble, how we all loved her! Seeing her return in series 4 was a true treat and nothing could have been more perfect for her reunion with the Doctor than this wonderfully funny mime scene from Partners In Crime. Both David and Catherine are superb comic actors and this scene kicked off the start of the wonderful thread of comedy and fun that ran throughout this series and is something I still miss.
8. Never trust a hug (Death In Heaven, series 8)
Peter Capaldi’s first series as the Doctor was a very strong one indeed (better than series 9 in my view). After such a brilliant series, this scene towards the end of Death In Heaven was played so perfectly by Peter and Jenna. Each character is so much like the other by this time and so good at hiding their pain from the other, pretending everything is fine. In this one moment the audience was able to see how sad and lonely each one was and how their love for the other meant that they were determined to hide it from them so that they could be happy. “Never trust a hug. It’s just a way of hiding your face.”
9. Rory’s impossible choice (The Girl Who Waited, series 6)
Oh how I loved Rory. He was a character who came such a long way over his time in Doctor Who and at times brought a level of emotion to the episodes that would otherwise have been lacking. The moment he is faced with the choice of which Amy to save in The Girl Who Waited was one of Arthur Darvill’s best moments. Whether to save his young Amy, or the Amy she would have become had she had the time to be lost there for decades as this old Amy had, is an impossible decision. Seeing him cry with confusion and desperation as older Amy begs to be let in to the TARDIS was heartbreaking to watch.
10. Four knocks (The End of Time, series 4 specials)
The End of Time may have been a bit bonkers in places, but the Four Knock scene was a highlight of New Who. The sheer joy and relief on the Doctor’s face as he thinks it’s over, to be replaced so suddenly by utter horror and sadness when Wilf knocks on that door is beautifully played, accompanied by some subtle, but equally powerful music from Murray Gold. It had me in tears the first time I watched it and even now is an emotional piece of drama that the series and the actors should be proud of.
11. A hologram farewell (The Parting of The Ways, series 1)
My final moment to mark this 11th birthday goes to the Doctor who started it all – the Ninth Doctor, Christopher Eccleston. He has been through so much with Rose and in order to save her he does what he thinks is the right thing for her – to send her home, with this final message sent via his hologram. It’s a lovely gesture and shows a real depth to his character. It’s still a shame we didn’t get him in this role for a little longer.
So those are my favourite 11 moments over the last 11 years of this iconic British series, one which has brought so much joy and fun to so many for over 50 years now. Thanks very much Doctor Who – long may you continue to let us travel through time and space with you!
Ever since Doctor Who returned to the BBC a decade ago, one constant presence has been the series’s distinctive musical soundtrack. While we’ve had four Doctors over eight series, composer Murray Gold has remained and personally his score is always one of the highlights of Doctor Who. I recently struggled to choose my favourite tracks of Murray’s music from the series for this blog, which you can read here.
Since Christmas 2005, we’ve also been lucky enough to have Murray’s music recorded by a full orchestra and chorus – the BBC National Orchestra and Chorus of Wales. This has given the music a wonderful level of depth and quality and has resulted in the regular soundtrack releases becoming a must-have addition to my collection.
A decade in to New Who and after the success of recent Proms (always selling out within hours), Murray’s music has this year been on a world tour, in the form of this concert – the Doctor Who Symphonic Spectacular and last Bank Holiday Monday it arrived in Cardiff. There seemed no better place to see this concert than in the city that has become home to modern Doctor Who and I can certainly say that Monday’s concert was a brilliant experience for fans of all ages.
I confess to being a little worried that this would be similar to the Doctor Who Live tour of 2010, rather than the wonderful Proms. Thankfully my worries were unfounded and the show gave fans of the series two glorious hours showcasing some of Murray’s most iconic pieces from the series, as well as providing the first live event for the music from Peter Capaldi’s first series as the Twelfth Doctor. By the nature of the show constantly moving forward, some pieces have not been played at recent Proms and it was lovely to hear tracks from all ten years again.
The show opened appropriately with the latest Doctor Theme – “Am I A Good Man?” I admit, on watching the first few episodes, I was unsure if Peter’s Doctor’s theme was very distinctive, but this track truly shines when heard in all its glory. Its suitably grand horn section and fast pace compliments wonderfully its more quiet and calm beginning, which reminds me a lot of Vangelis (I can hear aspects of it belonging in Blade Runner). Accompanied by footage from the show, it was a brilliant summary of Peter’s first year (one which I for one thought was very good indeed – more of that here).
From there host Peter Davison (the Fifth Doctor and now father-in-law to the Tenth Doctor) took us through the rest of the show, with fun and yes some cheesy jokes. Continuing with the most recent music, we were treated to a suite from series eight, “Wherever, Whenever,” including score from Robot of Sherwood, Listen (including the beautiful track “Fear”), The Caretaker, Time Heist and In The Forest of the Night. I was impressed with how many great pieces of music had been condensed and combined to highlight how crucial the music is to the series. It brings lightness and fun in episodes such as Robot of Sherwood, but also moments of darkness, fear and emotion (such as Listen).
Other highlights for me were The Companions Suite, which brought back the beautiful themes created for each of Rose, Martha, Donna and Amy and it’s interesting to be reminded how each one was unique to each character. I also love the series three piece “This Is Gallifrey”, which was given a new life by being accompanied by footage from the 50th Anniversary, in which Gallifrey was so important. This did however mean that the music from that special itself wasn’t included, which I did think was a shame. To close the first half of the show, we heard a selection of music from our last trip in the TARDIS, Last Christmas. As well as the music, as with the Proms, the show welcomed some of the frightening foes of the Doctor, as Cyberman, Whispermen, Silurians, a Muumy and many other creatures appeared on stage and roamed through the audience. It’s always wonderful to see the reactions of children when they get to be so close to the monsters! Of course there was also the compulsory entrance of the Daleks, who faced off to Peter Davison and conductor Ben Foster on stage. It was cheesy, but all in good fun.
The second half of the show also had some classic as well as recent themes and opened with yet more monsters with the superb All The Strange Strange Creatures, first heard in series three. The Death In Heaven Suite was particularly good, including within it lovely pieces such as the Theme for Clara and Danny, which strikes me as being quite a mature piece of music and very moving. Although not a favourite episode of mine, Abigail’s Song from A Christmas Carol was brought to life wonderfully by Elin Manahan Thomas. This half also included music from one of the stand out episodes of series eight, “66 Seconds” from Mummy on the Orient Express, as well as the wonderfully triumphant and uplifting The Pandorica Suite (although I was sad this didn’t include the music played at the end of The Pandorica Opens – The Life and Death of Amy Pond).
The show was always going to end with some classics and it was lovely to hear Vale Decem again. Although always associated with the end of the Tenth Doctor, it has now become the concert anthem for paying tribute to all the previous Doctors and is clearly a fan favourite at such events. Of course such an event could only end with one anthem – the latest imagining of the iconic Doctor Who theme! Peter Davison even gave Ben Foster a Fifth Doctor coat to wear for the occasion!
This was a wonderful celebration of the music of Doctor Who. Without it the show would shine a little less brightly in the universe and I will always be grateful for the extra effort that the BBC has invested in the music for the series. Its quality and popularity among fans was very clear in Cardiff at this concert and I’m sure similar events will continue to be a huge success. Fingers crossed for another Prom in 2016!
This weekend saw the arrival through the post of the latest Doctor Who soundtrack, containing Murray Gold’s music from series 8 and the most recent Christmas special Last Christmas. Across 3 CDs! I’m a huge admirer of film and television composers, whose music I strongly believe is integral to the shows they accompany. None more so than Doctor Who. So many moments of the series over the last decade have been made stronger by Murray’s contribution, whether emphasising a sense of fun and joy or deep sadness and heartbreak. These scenes and the world of New Who wouldn’t be the same without him.
So, as I listened to the latest soundtrack this weekend, reliving Peter Capaldi’s fantastic first series as the Time Lord, while looking forward to next weekend’s Doctor Who Symphonic Spectacular concert, it made me think about all the other musical moments from the eras of Chris Eccleston, David Tennant and Matt Smith and which ones would make my track list if compiling the ultimate soundtrack to modern Doctor Who.
So, here are my top 20 choices (10 was too hard!). Let me know which ones you’d include in your list.
1. “I Am The Doctor” – 11th Doctor’s theme (series 5-7)
From the moment I heard this piece of music, I knew it was going to be a firm favourite and it came to encapsulate Matt Smith’s time on the series. It is grand and sweeping in scope and exploded this new Doctor on to the screen with fun, fanfare and excitement. Surely no soundtrack or Prom could ever be without it and it’s a shining example of the powerful contribution music can have, to not only a mood of a series, but also to a character. I now cannot imagine the Eleventh Doctor without thinking of this track and it’s certainly my favourite theme of all the Doctors so far.
2. “Doomsday” – Farewell to Rose (series 2)
The Doctor and Rose’s parting on the beach at Bad Wolf Bay is an iconic moment in modern Doctor Who, which certainly caused quite a lot of tears from some fans. David and Billie are exceptional in this upsetting final scene together (well at the time anyway) and Murray’s haunting theme, accompanied by Melanie Pappenheim’s vocals added a deep sense of heart and emotion to an already intense moment. It’s also quite an interesting track by itself, as the vocals and piano, carrying such sadness mix with the guitar, giving the music a heartbeat of sorts and an edgier tone too.
3. Together of Not At All – The Song of Amy & Rory / Goodbye Pond (series 7)
This piece of music from series seven’s The Angels Take Manhattan immediately stood out for me on first viewing the episode. Although it begins very creepy in the first few bars, it becomes something altogether different, capturing through the music and the vocals of Halia Meguid the love between the Ponds and how ultimately being together was the most important thing in their universe. As long as they were together they could face anything, even death. The graveyard is perhaps the sad moment for the Doctor (and indeed “Goodbye Pond” is a gorgeous track to go with it), but it was this moment that moved me the most, watching this couple take that leap of faith together. It was a highlight of the last Prom for me and I’m still sad it was one of the sections cut from the televised version. This is one of Murray’s finest tracks so far in ten years and it was always going to make this list.
4. Fear – Clara’s message of strength to a young Time Lord (series 8)
Listen was one of my favourites of Peter Capaldi’s first year (see my review of series 8 here) and the more I watch it, the more it edges to the top of the list. Despite being such a spooky and scary story, it also had a wonderful message for children (and indeed adults) about how fear is a superpower that we shouldn’t be frightened of, but instead should use to give us strength to achieve things we may not be able to do otherwise. This piece (thankfully on the new soundtrack) accompanies Clara’s speech to the young, scared Doctor. It is some of Jenna’s best work and is a genuinely beautiful piece of music from Murray and highlights how he helps enhance some of the most passionate and crucial scenes and messages in the series through his music.
5. Vale Decem – Goodbye to Ten and Tennant (The End of Time, series 4 Specials)
Oh how this piece of music will always take me back to New Year’s Day 2010, as we said farewell to the Tenth Doctor and Russell T Davies in The End of Time. Some may think it was a drawn out end, but I loved it and Vale Decem (Farewell Ten in Latin) was the perfect choice to end David Tennant’s incredible time on the series. It was grand and emotional and still provided a sense of hope for the future with the arrival of Matt Smith. Hearing the combination of the music and choir live in the Royal Albert Hall, bringing this moment back to life at the Prom was a wonderful experience.
6. All the Strange, Strange Creatures (series 3 and 4)
This piece of sweeping music has become a staple of the Doctor Who Prom and although associated with the Tenth Doctor’s time, it can easily be used as the theme for the variety of monsters all the Doctors have faced. It was one of the first pieces of Doctor Who music, within which you could truly appreciate the scope and power of the National Orchestra of Wales that bring each episode to life. Hearing it live is always a joy.
7. The Doctor’s Theme – Welcome Christopher Eccleston! (series 1)
The first of New Who’s Time Lords, Christopher Eccleston was superb on the series. His Doctor’s theme was a perfectly otherworldly piece of music, which seemed to speak to the vast time and journey of this 900 year-old alien. It’s haunting and emotive and tinged with sadness, highlighting the great losses he has suffered in recent years. It was an early indicator that the music of the series was not simply going to be background noise, but a crucial thread of the production and this track will forever make me think fondly about Doctor number nine and his arrival in 2005.
8. This Is Gallifrey: Our Childhood, Our Home (series 3-4)
Another classic piece from Ten’s era of the show is this one, first heard in all its glory during The Sound of Drums as the Doctor described his home to Martha and Captain Jack. The wistfulness is perfectly played by David Tennant and the graphics bringing our first real glimpse of his home were wonderful. However it’s this music that has come to be the biggest association with Gallifrey and is a lovely creation by Murray.
9. Rose’s Theme (series 1 and 2)
She was the first companion of New Who and integral to the show’s initial success and Rose’s theme was one of the first pieces of Murray’s music to resonate through the episodes. It was such a great decision to have themes for key characters and this is definitely one of my favourites. I love how light the notes of the piano sound, giving it an air of romance and beauty, which matched the heart of Rose perfectly.
10. Four Knocks (series 4 Specials)
Another tearjerker here in the form of Four Knocks, the heartbreaking music written to accompany the Tenth Doctor’s realisation that he still had to die in order to save Wilf. It’s some of David Tennant’s finest acting and this subtle, gentle, emotionally raw music is absolutely perfect. Well done to Julie Gardner, who I believe fought with Russell T Davies to have music over the scene. My one gripe with Four Knocks now however is the choice to have it play again over the top of Clara’s lovely scene with the old 11th Doctor just before he goes off to meet his fate in the clock tower in Matt Smith’s swansong. I can’t have been the only fan of the music of the series to be taken out of the emotion of the scene by the distraction and surprise on hearing what should always have remained a piece capturing the Tenth Doctor’s sacrifice.
11. A Good Man? (Twelve’s Theme) (series 8)
I admit, on first watching Deep Breath I was listening for the Twelfth Doctor’s theme and by the end I wasn’t exactly sure what it was. Matt’s Doctor’s theme had been so iconic and stood out immediately. Peter’s theme however, despite being just as strong, somehow seems less obvious. As Murray points out in his sleeve notes to the latest album, the horns that signal the heart of the Twelfth Doctor’s theme do pop up within every episode of series eight, weaving each story to the next. On listening to the theme by itself as part of this soundtrack, it’s power, excitement and beauty shines through the music and it’s a worthy successor to I Am The Doctor.
12. The Life and Death of Amy Pond/Amy’s Theme (series 5-7)
Yet another theme for a memorable companion. I admit I wasn’t a huge Amy Pond fan, but her theme is lovely piece of music, which captures her special bond with her raggedy Doctor. It carries with it a sense of childlike magic, perfect for the girl who has known the Doctor most of her life and whose story is always a little unknown to the audience. This was expanded on in The Life and Death of Amy Pond track, which plays over the tragic scenes at the end of The Pandorica Opens, as River is trapped in the exploding TARDIS, the Doctor is locked in the Pandorica and Rory unexpectedly kills Amy in his arms and represents some of the most heartfelt music of the series.
13. “This Time There’s Three of Us (The Majestic Tale)” (The Day of the Doctor 50th Anniversary)
The 50th anniversary of Doctor Who was certainly a proud moment for the BBC’s flagship show and Murray’s music was right at home on the big cinema screen. Capturing the celebration and grand scope of the episode and everything it represented, I loved this track from it, which is equally exciting to hear in its own right without watching the episode. It picks up the emotion of the scene with the Moment, before whisking us up in to the sweeping grandeur of the hero-like fanfare that accompanied the Doctors joining together to save their home. There were three Doctors (and then 13) and what a wonderful team they made!
14. The Long Song / Infinite Potential (series 7)
Okay so The Rings of Akhaten was not a great story in my view, but I did love the stirring choral singing in this track. It ensures that the end of the episode at least pulls off something lovely, together with the following track, Infinite Potential, which accompanies Clara saving the day with the power of infinite memories in her leaf. It’s an example for me of where the music of an episode is something I enjoy much more than the story itself! Also, it was a magical number to hear live at the Prom.
15. Song of Captivity & Freedom (series 4)
Most of the attention goes on the Song of Freedom played in Journey’s End as the Earth is towed to safety. However I’ve always liked the other half of this theme, The Song of Captivity from The Planet of the Ood and this track from the series 4 soundtrack wonderfully combines both in to one piece of music. It is tinged with sadness through the incredible voice of Mark Chambers, but it’s a lovely part of the score of the show and was something a bit different in tone.
16. (The Majestic Tale of) An Idiot With a Box (series 8)
I love what Murray has achieved with this piece from the series 8 finale and reading his sleeve notes makes it all make sense. Apparently Mr Moffat missed I Am The Doctor, associating it with his time as showrunner, whereas Murray associates it with Matt Smith’s era (I agree with Murray). So, as a compromise, this piece incorporates both! You can hear I Am The Doctor, albeit slightly tweaked in style, alongside Peter Capaldi’s Twelfth Doctor theme, with its bold, powerful horn section. What you get is an epic, bold, exciting and glorious number, which had better be played at the next Prom!
17. Up The Shard (series 7)
Farewell to the Ponds and hello to Clara in series 7. Her first adventure as an official companion, The Bells on St. John, was bonkers, but lots of fun and I particularly loved Murray’s grand musical choice to accompany the Doctor’s mad motorcycle ride up the side of the Shard, which uses I Am The Doctor as a base and expands it.
18. With Love, Vincent (series 5)
This is one of my favourites stories of New Who and after the tears are shed after watching Vincent in the museum of his own art, it’s this lovely track which accompanies Amy as, through her tears at knowing she didn’t save Vincent, she sees her sunflowers, now bearing an affectionate message for her. It gives the episode a happier ending, in which the Doctor and Amy can look fondly on the life of an extraordinary man.
19. Altering Lives (The Waters of Mars, series 4 Specials)
Waters of Mars is a much darker story than most of the Tenth Doctor’s time, deliberately building up to his exit in the following episodes. However, its story is one that on the whole is praised by fans and for me is the strongest of the Specials that year. It’s a story about loss, accepting destiny and sacrifice and this quiet, spiritual track enhances all of those important themes and is most associated with the scene in which the Doctor finally tells Adelaide her fate, as he stands in the airlock, preparing to walk away yet again from a fixed point in time, no matter how painful it is for him.
20. The Cybermen theme (throughout)
Ever since its return in 2005, there have been two constant enemies, popping up over and over again for the Doctor to defeat. I love Murray’s themes for both the Daleks and the Cybermen, the first with its almost Darth Vadar style evil. However, it’s the Cybermen music, with its eerie strings and bold horns that has always grabbed me, especially once the frantic violins and choir join in and the piece builds to a crescendo. The theme always crops up in some form when the Cybermen appear, most recently of course in the series 8 finale, but I admit this track always makes me think of Rose desperately clinging the the lever in Doomsday!
So that’s my selection. It was a lot harder than I imagined, hence it becoming a top 20 and there were so many other possible candidates (The Impossible Planet suite, The Carrionites Swarm, Boe, Final Days from The End of Time to name just a few)! Now all I need is a re-release of series one and two, which only ever had one CD for both years. That is criminal! Surely others out there would agree that this is a much needed addition to the Doctor Who soundtrack collection? Come on Murray Gold and Silva Screen. You know you want to!
The Doctor Who soundtracks are released by Silva Screen (see their Doctor Who music website here) and are available through all the usual stockists.
There seem to be a lot of television anniversaries recently and today marks another milestone – it is 10 years since Doctor Who returned to our screens with Rose in 2005. As someone who grew up in the wilderness years of Doctor Who my only real contact with the series had been watching the occasional rerun of Sylvester McCoy’s era on UK Gold, which didn’t grab me at all and then the 1996 TV movie with Doctor number 8. I’d enjoyed Paul McGann’s only outing as the Doctor and so on hearing the series was being revived I was curious to see what it would be like in the 21st century. I was also a huge admirer of Christopher Eccleston’s work (particularly the stunning and hard-hitting Hillsborough).
So, on Saturday 26th March 2005, I joined 9.9 million other viewers to see the TARDIS land back on Earth (and hear that crazy cross over with Graham Norton!), which rose to a final total of 10.81 million. The verdict at the time – enjoyable, although I thought the episode was incredibly cheesy. I did however love Chris and Billie and that was enough to draw me back the following week. It’s been a mixed 10 years. I loved Chris’s series (with barely a dud episode), adored David Tennant’s Tenth Doctor, which cemented my appreciation and loyalty to keep watching the show and thought Matt was great but had far too many dreadful stories. Now, ten years later, we are awaiting the second series of stories for Peter Capaldi’s Doctor (I thoroughly enjoyed his first series, which I discussed last year) and it’s great to still have the Doctor going strong on the BBC. To celebrate this 10th anniversary, below are my favourite ten episodes of “New Who.” I’d be interested to hear what episodes make your list.
This two-parter remains my favourite story of modern Doctor Who, which is ironic seeing as it was originally a novel for the Sylvester McCoy’s Doctor! Paul Cornell’s story is so brilliant on so many different levels – it is beautifully written, has a chilling villain (particularly Harry Lloyd as Baines), highlights the country before the war, while commemorating those who fought in its ending and is also superbly acted. Freema Agyeman really has space to develop the character of Martha, who has to do the Doctor’s work for him when he can’t, Jessica Hynes is wonderful as Joan, the woman who captures John’s heart and there’s some lovely acting from young Thomas Brodie-Sangster (now popping up in Game of Thrones and Wolf Hall). Above all of that though is David Tennant’s incredible performance as two very different people. His portrayal of John Smith as he struggles to cope with his real identity is heartbreaking and his darker Doctor at the end is also chilling. It’ll take a lot to beat this one for me.
Coming second is Richard Curtis’s story from Matt’s first year in the role. Many people were horrified at the thought of him writing an episode, but his story was in fact the most emotionally strong and moving episode of Matt’s whole time on the show. By travelling back to meet Amy’s favourite painter, it enabled the story to tackle the delicate subject of mental health and depression, as most of those watching know the reason for Van Gogh’s death. The scene in which he is crying in his room is incredibly powerful and superbly acted, while the episode also still maintains some beautiful visual moments too – Amy among the sunflowers and the three of them looking up at the Starry Night. Above all though, for me, it’s the ending which truly makes this episode one of the best of New Who – watching Tony Curran as Van Gogh see his work and how much it is loved always brings a tear to my eye, as does the sad truth that Amy didn’t get her wish of there being more paintings when they return. It’s delicate, emotional, powerful and beautiful.
As David Tennant’s time as the Doctor neared its end, there had been talk that we’d see a darker Doctor and that certainly happened in The Waters of Mars. Faced with the crew of Bowie Base 1 and knowing their ultimate fates yet again placed the Doctor in a difficult moral situation. The difference this time being that we got to see what he’d be like if he decided to try and change the future and intervene when he shouldn’t. Tennant’s scenes with Lindsay Duncan were wonderful, from the one telling her the future of her family, right through to their final conversation on a snowy London street. Seeing this angry, arrogant, Master-like version of the Tenth Doctor was very exciting and it’s almost a shame he didn’t have a bit longer to delve in to it.
4. The Day of the Doctor (50th Anniversary, 2013)
The highly anticipated 50th Anniversary of Doctor Who must have been a huge pressure for Steven Moffat. There was so much to try and include in order to honour the past, while moving the story forward for the next 50 years and I admit I was worried it would turn out like one of the worst Christmas specials. I’m so pleased I was wrong and that instead we had a fun, entertaining, exciting episode. I’ll always be sad that Christopher Eccleston didn’t agree to return, not even for a few moments, but we at least had the wonderful partnership of Matt and David, which was only strengthened by the dynamic they had together with John Hurt. His War Doctor was a brilliant addition and one that allowed us to revisit the Time War in a new way. Not to mention the unexpected inclusion of both Peter Capaldi and Tom Baker, whose scene with Matt is so moving, whether you’ve watched the Fourth Doctor’s episodes or not.
Steven Moffat’s first story for the Tenth Doctor became an instant fan favourite and I think will always be a classic. Ten years on, we are used to Moffat’s trick of jumping between time periods, or having the resolution be one that you only see how clever it is at the end of the episode, requiring you to rewatch it immediately. This was the first time we saw how multi-layered and clever his writing could be and in my view, some of his more recent stories have lost this, thinking they are cleverer than they actually are. The story of Madame Du Pompadour and her love for the Doctor across her life is a lovely one and Sophia Myles was able to convey her fear and also strength, something the Doctor clearly admired in her. His realisation that she has died and the letter she has left for him is such a tragic ending, but one which is necessary to make the episode as wonderful as it is. More like this please Mr Moffat!
6. Doomsday (David Tennant, series 2, 2006)
I will always remember watching Doomsday for the first time, aware that Billie was leaving but unsure how it would happen and being totally unprepared for the emotionally charged final few scenes. Doomsday was such a great finale, as it had a perfect mix of adventure and action, as the Daleks and Cybermen do battle, while balancing this with a very real emotional heart, through both the resolution of Jackie and Pete back together and the Doctor and Rose torn apart. Russell T Davies’s era on the show may be seen as too driven by emotions for some, but I loved this aspect of the series and question whether I would have become such a loyal, regular viewer without it. I cared about the characters and the heartbreaking events always felt real (something I’ve felt to be lacking, certainly in Matt’s era) and none more so that seeing the Doctor and Rose say goodbye. It has gorgeous music from Murray Gold and is beautifully acted by David and Billie, whose chemistry was very special and I’d challenge anyone not to shed a tear.
As a huge admirer of Christopher Eccleston as an actor I was very sad to discover he was leaving the series so soon. I still strongly believe that the series may not have taken off had it not had such a respected actor of his calibre in it from the start, forcing people to take the sci-fi show seriously. He was a wonderful Doctor, funny, kind and yet serious and detached when necessary. This finale is still one of the best of New Who. It was the first time we got to see the huge army of Daleks and the threat they posed, it had light hearted humour courtesy of John Barrowman’s brilliant Captain Jack (bring him back Steven!) and then there were the lovely scenes between the Doctor and Rose. His hologram telling her to have a fantastic life is still one of my favourite scenes and Billie really showed what a strong actress she was, as she fought to get back to his side. Although sad, Chris’s final scene did justice to his time on the show, before welcoming David Tennant aboard.
The Runaway Bride has always been my favourite Christmas special and is one I return to often. It has the perfect balance of light hearted silliness and comedy, sadness and excitement and wasn’t confusing for those who weren’t regular viewers of the series. I’d never been a fan of Catherine Tate’s comedy shows and so was relieved to see what a brilliant actress she was. Donna was so different from Rose, which was exactly right for the first episode without the partnership of David and Billie and yet there were enough references to Rose to acknowledge how important she’d been to the Doctor. I remember being sad at the end of the story that we’d never see Donna again and it’s wonderful she came back for series four, to have such a superb partnership with David’s Doctor. Plus David’s final line in this story is still one the best scenes of his on the entire show – “Her name was Rose.”
9. Blink (David Tennant, series 3, 2007)
Blink is almost certain to make any Doctor Who fan’s list of favourite episodes and not just of modern Who either. Series two’s “Doctor-lite” story had been fairly weak and yet Steven Moffat managed to make this one a series highlight! It also introduced us to one of the most chilling monsters on television as we watched the Weeping Angels creep up on people. I remain frustrated that such a frightening monster was then ruined by later stories (breaking necks just wasn’t as frightening as sucking the future years out of someone!) but at least Blink stands as a reminder as to how scary they can be in the right story. It was also a brilliant role for Carey Mulligan (now so famous I sadly think we’ll never see the return of Sally Sparrow) and has forever made statues just that little bit more disturbing! Remember – don’t blink!
10. Mummy on the Orient Express (Peter Capaldi, series 8, 2014) / The Stolen Earth & Journey’s End (David Tennant, series 4, 2008)
Okay, so I’m cheating a little here as I’ve agonised over which of these two stories to include and couldn’t decide! It felt wrong not to include a story from the Twelfth Doctor and Mummy on the Orient Express was by far my favourite of his first series. It had everything right – scary story and monster, which felt fresh and original, fun location, excellent supporting performances (particularly Frank Skinner) and a lovely Doctor/Clara dynamic, as she struggles to leave, while feeling it’s the only choice. Above all though Peter Capaldi is fantastic – he really is the Doctor here, with witty dialogue, break neck speed cleverness, authority and a convincing relationship with Clara. I’ve no doubt this will remain a highlight of his years on the show.
I couldn’t have a top ten list without The Stolen Earth / Journey’s End, as there is so much I love about it. Bringing all of the Tenth Doctor’s companions together in one story was a brave and ambitious move and yet it really did work and it made the ending all the more tragic, when the Doctor is once again alone. It was lovely to have John Barrowman and Billie Piper back, although I still don’t like the final beach scene. It still grates with me that the Doctor was fine with the idea of The Master travelling with him, but not 10.5 and Rose seemed to put up far too little a fight about not staying with the person she’d waited years to be with again. That aside though, their reunion at the end of Stolen Earth is another favourite scene of New Who for me – it’s the look on his face as he sees her and runs towards her, before that pesky Dalek ruins it! Then there is Catherine Tate, who is utterly spectacular here as we say goodbye to Donna. Her final TARDIS scene is heartbreaking to watch. If that scene wasn’t beautiful enough, it’s then capped off by Bernard Cribbins’s emotional doorstep vow to look up at the sky each night and think of the Doctor. Incredible acting all round.
So those are my choices, some of which I’ll watch to celebrate this anniversary. Narrowly missing out were The Empty Child/The Doctor Dances (“Are You my mummy?” will stay with me forever!), The Eleventh Hour (such a brilliant entrance for Matt), Flatline (it was just so original, scary and also funny), the entire end of series four, with its superb run of The Silence In The Library/Forest of the Dead/ Midnight and Turn Left, The Angels Take Manhattan (Amy and Rory’s exit was very well handled) and Boom Town (bonkers, but Chris proving just how comedic he could be in that restaurant scene).
I may not like all the stories, but Doctor Who remains a highlight of British television today and something the BBC can truly be proud of. It’s one of those rare shows that can be enjoyed by all the family together and that is something that should be cherished. I certainly hope we’re all here in another ten years time to celebrate another decade of stories!
In the meantime, here’s a brilliant fan made video, celebrating a decade of New Who! Watching me has made me want to get my box sets out and start all over again!
After looking ahead to what’s coming to the stage, cinema and TV screen in 2015, as well as picking my favourite theatre of the year, I thought I’d look back at those television moments in 2014 that had the biggest impact, whether for good or shockingly terrible reasons, especially if you didn’t see it coming.
Here are my top ten.
1. Line of Duty episode 1 – Farewell to DC Georgia Trotman
I hadn’t watched the first series of Jed Mercurio’s police drama and it was only the buzz on Twitter as series two began that motivated me to catch up and I’m certainly glad I did. This definitely was one of the strongest dramas of the year – superbly written to keep you guessing as to guilt or innocence of Keeley Hawes’s DI Lindsay Denton. However the moment that stands out for me and had me stunned was the murder of new cast member Jessica Raine’s DC Trotman. Just as you felt you were getting to know her and she was settling in, she gets thrown out of a window! Goodness knows what series three will have in store.
2. Sherlock: The Empty Hearse – Sherlock & Molly
January saw the much anticipated return of the BBC’s Sherlock after two years! Yes it was only around for three weeks, but in three episodes it reminded us how much better it is than most shows on television. I could have picked so many moments from series three (the stag night, the best man’s speech, the game of Operation), but the one I have to go for is the fantasy Molly/Sherlock kiss from The Empty Hearse. I first saw it at a preview screening and the reaction from the audience was brilliant. For a few seconds I really wondered what on earth was going on! Not only was the whole sequence a wonderful way to open the episode, but it is one of the hottest kisses on the big or small screen.
3. Game of Thrones – The demise of the Red Viper
Ahh Game of Thrones, it can always be relied on to bring some truly shocking moments to the screen. As someone who has read the books, it’s great to anticipate the scenes that you know will shock and see how well they are executed. Only choosing one is tough and a close second is Tryion’s superb speech during his trial, but it really had to go to the fight between the Red Viper and the Mountain and its unexpected and brutal end. Could this really be as shocking as it was to read? In short – yes. In fact it was more gruesome than I imagined it would be and is a great moment to watch with those who have no idea what’s about to happen.
4. The Good Wife – the tragic death of Will Gardner
It’s refreshing that a series in its fifth year only continued to get stronger and I loved the latest twists and turns in The Good Wife, as we saw Alicia leave to start her own firm (the whole episode where everyone finds out is superb). However nothing could beat the tragedy of Will’s unexpected death. Sadly due to the gap between US and UK air dates (about five weeks), I found out what was in store and so the surprise was lost on me. However the moment Alicia hears the news was still beautifully played by Alan Cumming and Juliana Marguiles. Series six will certainly be interesting and I’m looking forward to seeing what direction it will take.
5. Life Story – Barnacle goslings leap from their nest 400 feet up to follow parents
I don’t watch all nature programmes but the BBC’s Life Story was wonderful and filled with stunning moments. The one that stands out though is the story of the Barnacle goslings, who only days after birth must either follow their parents in their 400 feet leap or starve. Watching each chick leap off and plunge all that way, before hitting the rocks and bouncing to a stop was terrifying and astonishing and reminds you how incredible nature is.
6. Happy Valley – Catherine is almost killed saving the day
I missed this superb drama on its original airing and have only recently caught up after so many people raved about it. They were certainly right. I’m still not a fan of shows with young women in danger, but I couldn’t stop watching this thanks to Sarah Lancashire’s superb performance as Catherine Caywood. She’s such a fantastic character. The moment for me has to be after she has found Ann and after a frightening struggle with James Norton’s horrid Tommy, is dragged, bloody and hurt out in to the street. It was shocking, but some of the most realistic and powerful television I’ve seen for a while. It’s great to hear a second series in on the way.
7. Doctor Who – Fear is a superpower
2014 saw us welcome a new Doctor in to the TARDIS as Peter Capaldi became the Twelfth Doctor. I loved series eight, for its strong run of episodes and its slightly darker tone and I was torn between three moments that stick out. Runners up are the alley scene from Deep Breath, in which the new Doctor demands a homeless man (played by Elisabeth Sladen’s husband) gives him his coat and the scene from Flatline in which the Doctor moves the mini TARDIS to safety with his hand. However, my favourite moment is from Listen when the Doctor explains to a young Rupert why being afraid is a good thing because “Fear is a superpower.” I really knew at this point how wonderful Peter was going to be as the Doctor.
8. The Blacklist – Red’s monologue about death in “Anslo Garrick”
Okay, I admit that this is a bit of a cheat as this moment was actually aired in 2013. However, as I only started watching The Blacklist this year and this moment has stayed in my mind, I thought I’d include it anyway. In this two-part story, Red ends up locked in the secure holding box with Agent Ressler to escape from the terrorists who have entered the FBI facility to kill him. As he tries to save Ressler’s life, in an impressive scene by James Spader, he explains why he doesn’t intend to die then and paints a vivid picture of everything he wants to do before he does die. It’s a really beautiful moment and was when I knew I was hooked on the story of this intriguing character.
9. GBBO – Alaskagate!
Although series three of the Great British Bake Off has yet to be bettered for me, in terms of contestants and creations, Alaska-gate from the latest series had to be mentioned here! Along with a large portion of the country I was appalled when Iain discovered Diana had removed his baked alaska from the freezer. When she says “Well you’ve got your own freezer haven’t you?” I was livid! Fair enough it may have only been taken out for a few seconds and been edited to make it seem worse, but that comment from Diana seemed wholly unacceptable to me and very rude. Poor Iain.
10. House of Cards – Did you think I’d forgotten you?
Last but not least is a moment from the first episode of the second series of Netflix’s political drama House of Cards. No, it’s not the death of Zoe Barnes, as I could see it coming a mile away. Instead the moment for me is from the very end of the season opener, when I’d forgotten that Frank Underwood tends to speak to camera every so often. After him not doing it for the whole episode, it’s quite creepy when, all of a sudden, he looks in to the bathroom mirror and says: “Did you think I’d forgotten you?” Kevin Spacey is so good in this role and his monologues are some of my favourite scenes, with this one certainly top of the list.
So those are my television moments of the year. Hopefully the next twelve months will be filled with many more.