Where has the last twelve months gone? I probably say that every year, but it means it’s time for me to look back on the last twelve months as a theatregoer. I’ll start by saying I’ve seen fewer productions this year than I expected to and I’ve seen far less regional theatre than I wanted to as well, which only gives me something to aim for next year.
That being said, my final total for 2018 was 60 shows, with revisits to six of those shows (including three Hamilton trips), resulting in a total number of theatre trips of 67. Not bad, but I’m well aware that I’ve missed a fair few shows I’d been hoping to see this year.
As I’ve already mentioned, my theatre trips outside of London have been low this year, with the exception of a theatre-packed NYC trip in the spring. London and New York aside, my regional visits have been limited to Chichester and Stratford-Upon-Avon and I fully intend to improve on this in 2019.
Finally, when choosing my favourites of the year, I think about which shows resonated with me on an emotional level, so I’m sure there are productions which appear on other lists, as ground-breaking or significant shows for other reasons, but which weren’t at the top of my list.
So, without further delay, here are my favourite productions of the last twelve months!
1. The Inheritance (Noel Coward Theatre)
As in previous years, my list is in no particular order, with the exception of the top spot, which was clear to me as soon as I left the Noel Coward Theatre.
I’d had a ticket for a full Wednesday at the Young Vic to see The Inheritance, but due to work commitments, I had to give the tickets back. I was gutted at the time, as this promised to be something special and so the news of a West End transfer was wonderful.
I have been intending to write a specific review of this show ever since I saw it and yet I struggle to put in to words just how stunning it is on so many levels. I’m not a gay man, but nevertheless, I couldn’t fail to be moved by a story which reaches in to the past and connects it so beautifully with the present and the importance of a sense of community between the men on stage. Not only that, but the writing is just magical, as you are told a story of love, loss, compassion and forgiveness, which still captures moments of such fun and playfulness along the way and all of its 7+ hours is so superbly acted by the show’s cast. I laughed, I cried (many times) and having seen it twice, it continues to stay with me. I’ll be there for the final shows on 19th January and if you can go before it closes, you simply must. It’s that simple. (The Inheritance continues at the Noel Coward Theatre until 19th January 2019).
2. Summer & Smoke (Almeida & Duke of York’s Theatre)
I was lucky enough to see this superb show during its initial run at the Almeida, before revisiting it in the West End only a couple of weeks ago, where I was still able to have a fabulous close-up view thanks to TodayTix. I wasn’t familiar with this play beforehand, having seen some of the better known and more regularly revived pieces by Tennessee Williams and yet I quickly fell under the spell of this hauntingly atmospheric production. I loved the simplicity of the set and the use of light to draw out the electricity between the two central characters. The stand out element though? An utterly compelling performance by Patsy Ferran, who I honestly felt transformed in to Alma before my eyes in such a nuanced portrayal of a character I was almost instantly invested in. Combined with strong support from Matthew Needham, Forbes Masson, Nancy Crane and all the cast, this again was a show that had a profound emotional impact on me and is one I won’t forget. (Summer & Smoke continues at the Duke of York’s Theatre until 19th January 2019).
3. Twelfth Night (Young Vic Theatre)
Twelfth Night is a Shakespeare play that I’ve seen quite often and I admit I was possibly a little tired of it. Yet, I’d heard so many glowing reviews about this production since it was staged in New York in 2016, that I couldn’t miss it when it arrived in London, as the first show during Kwame Kwei-Armah’s tenure as artistic director of the Young Vic. It’s one of the best decisions I made all year and is, without question, the best interpretation of this play that I’ve seen to date. Turning this well known Shakespeare story in to a musical was bold in itself, yet this show was inventive, colourful, fun and fresh and is easily one of the most fun nights I’ve ever had in a theatre, which brought the story to life in an entertaining, yet accessible way. Although the whole cast was great, the stand out has to be Gerard Carey as Malvolio. He was simply perfect. I might never need to see another version of this play, as I doubt this one will be beaten.
4. The Watsons (Minerva Theatre, Chichester)
I wasn’t quite sure what to expect when I travelled to Chichester to see Laura Wade’s latest play, but being a fan of her previous work and a lover of Jane Austen, I had high hopes that this would be right up my street and that certainly proved to be the case. I loved the cleverness of this script, as it’s not just an Austen story (one which Austen mysteriously never finished, despite it not being the last one she wrote), but it’s also a story about what it’s like to be a writer and it was this added element that really appealed to me, as an aspiring writer. I don’t want to give too much away for those not familiar with this play, as I’m certain it’ll have another life on stage before too long, but all I will say is that its mix of Austen and contemporary life resulted in a show that was a lot of fun to watch and had me leaving the theatre with a big smile on my face. All my fingers are crossed for a London transfer.
5. Three Tall Women (Golden Theatre, New York)
Having seen her brilliant return to the stage as King Lear after 23 years in 2016, I couldn’t miss the chance to see Glenda Jackson’s second show, this time in New York, during my visit in April/May and it was certainly a highlight of my trip. With a cast of just three (Jackson, Laurie Metcalf and Alison Pill), Three Tall Women tells the story of one fierce woman, whose life is cleverly told by herself at three different ages. It may have been short, but it certainly packed a punch and seeing Broadway so in awe of Glenda Jackson was wonderful.
6. The Prime of Miss Jean Brodie (Donmar Warehouse)
Over the years Lia Williams has become one of my must-see actresses and I’ll book anything she’s in and in this year’s Donmar production of The Prime of Miss Jean Brodie, she yet again proved what an incredible artist she is on stage. Having not read the novel, nor seen the film made famous by Dame Maggie Smith, I wasn’t sure what to expect, yet found myself caught up in the world of her and her students, as her desire to inspire them starts to become questionable as the play progresses. I’m only sorry I didn’t have the chance to go back for a second time.
7. Fun Home (Young Vic Theatre)
Fun Home had been on my list of shows to see when I was in NYC a few years ago, but I just didn’t have time and had been wondering if it would ever make its way across the Atlantic. It’s clearly been a strong year for me when it comes to the Young Vic, with this beautifully touching musical being the third show from the theatre on my list. In a way it didn’t feel like a musical, but more of a play with songs, but regardless of how you categorise it, the story of one girl’s relationship with herself, her sexuality and her father left me rather emotional by the end and a return visit was essential. I admit, I’m still surprised there hasn’t been news of a West End run for the show. Hopefully 2019 will rectify that.
8. A Monster Calls (Old Vic Theatre)
I only had to walk a few minutes down the road for a similarly emotional theatre outing, this time to see the Old Vic’s staging of Patrick Ness’s tale of love, grief and forgiveness. I’m ashamed to say I still haven’t read the book, but I adored the recent film and found this adaptation equally powerful, as we see one young boy’s struggle to come to terms with his mother’s illness and death and the confusing emotions they stir up within him. It’s not an easy story to stage, with so much resting on the fantastical stories the monster tells him, but this production truly evoked the same emotions through its imaginative staging. It wasn’t an easy show to watch, but it’s one I wouldn’t have missed for the world.
9. I And You (Hampstead Theatre)
This was a lovely little surprise of a show at the Hampstead Theatre for me this year, which also saw the stage debuts of two wonderful acting talents, one I was very familiar with and the other I’ve now added to my “keep a look out for them” list. Lauren Gunderson’s play saw Maisie Williams, fresh from Game of Thrones as a sickly young teenager, cooped up in her room, who is forced to engage with the world through the arrival of one of her classmates, played superbly by Zach Wyatt, with a last minute poetry project centring around Walt Whitman’s Leaves of Grass. Yes, I worked out the ending quite quickly, but that didn’t take away from the emotional punch I felt at the end, as the lines from the poem they’d been discussing became so poignant. The production also saw the Hampstead Theatre testing out a new way of reaching new, younger audiences, when it was made available to stream for free on Instagram. Anything that encourages people to try theatre gets my support and the play was just as moving a second time on my small phone screen.
10. Girls & Boys (Royal Court Theatre)
I’ve been hoping to see Carey Mulligan on stage for a few years now and this incredibly powerful one-woman play at the Royal Court finally gave me a chance to see her. This was another instance where I had no idea about the story before stepping foot inside the auditorium and what I loved most about this play was how it started as one thing and all of a sudden took a sharp turn down a much darker, devastating road. The power of such a play depends on the actress and Mulligan was simply outstanding as a mother telling the story of her life and that of her children to the audience, right down to the mimed interactions with her children, who I soon forget weren’t actually there on stage with her. This was yet another emotional experience and one that certainly stood out as a highlight this year.
Special mentions also go to White Teeth at the newly reopened Kiln (formerly Tricycle) Theatre, which took me completely by surprise with how much fun it was, The Humans, which I was thrilled to see arrive at the Hampstead Theatre, complete with the full Tony Award-winning cast, The Lieutenant of Inishmore, which provided the type of black comedic fun I expect from Martin McDonagh and some wonderful performances (all of which I enjoyed from a £10 front row seat!), Lobby Hero in NYC, with wonderful performances by Micheal Cera and Chris Evans in particular, Sweat at the Donmar Warehouse, where the 2000 US setting felt just as relevant in 2018 Britain and The Madness of George III from the Nottingham Playhouse, which I was able to enjoy via NT Live.
Last year saw my list filled with plenty of musicals after a year in which I saw more than usual and although far fewer make the shortlist this year, there were certainly some musical highlights, in particular the recent NYC stagings of My Fair Lady and Carousel, the impressive Hadestown, here prior to its Broadway opening and the Old Vic’s much publicised Sylvia. Yes, it was rough and needs tightening up, but I expect the final form to be something rather special when it returns and it contained one of my theatre moments of the year (see my separate post for those coming soon).
Although I try and keep repeat trips to shows out of my annual favourites list, I couldn’t write this without giving special mention to some of the shows that I loved this year and which I’d already seen before. Top of this list was a joyous visit to Harry Potter & The Cursed Child in NYC, to see the original London seven back in their roles. Although I’ve enjoyed later West End casts, there’s something special about that group and in particular Jamie Parker as Harry and Anthony Boyle as Scorpius. My time in NYC also enabled me to revisit the National Theatre’s stunning production of Angels in America for a third time and spending another day wrapped up in these characters was a privilege. 2018 also saw Andrew Scott return to London in Sea Wall, which made my favourites list back in 2013 and was indeed a highlight of this year as well. It may be only 30 minutes long, but it remains one of the most emotional theatre experiences I’ve ever had. And of course, it would have been rude had I not returned multiple times this year to Hamilton, including the very special performance in August in aid of the charity Sentabale, attended by Harry & Meghan!
So, that was my 2018 theatre year! Yes, I missed some shows that I wish I’d seen (The York Realist, Misty and Notes From The Field being at the top of that list), but overall, I enjoyed almost everything I saw this year and even those that I found disappointing had something I could appreciate (the Almeida’s current Richard II may not be my cup of tea, but Simon Russell Beale’s performance was very good and I may have found A Very Very Very Dark Matter disappointing, but the two central actors were great, as was the set). That’s certainly better than years when I’ve had a list of shows I’ve found truly painful!
Looking ahead, there are some fantastically promising shows arriving next year and I’ll be highlighting my 19 shows to see in 2019 in a separate post. In the meantime, I’d love to hear about your highlights from the last twelve months!