After only four weeks of new episodes, on Wednesday night we reached the end of season seven, with a double bill of episodes 7×15 (“Tiny Violin”) and 7×16 (“Goodbye”). The show had a fair amount to cover in the two hours and sadly, my overwhelming feeling on finishing the episodes (especially the second hour), was one of disappointment, caused by a number of factors (no, not just Darvey).
As they aired together, this review will dive in to both episodes, so forgive me for making this a little longer than usual. Thanks to @lovedarvey for the photo collages! Here goes………………
Specter Litt under attack yet again
Specter Litt faced yet another attack as 7×15 began, with the former partners banding together to try and reclaim their buy-in money, lost in 6×01. Their whole argument – working at the firm jeopardised their future professional careers, as they were tainted by association (can I make a claim for it jeopardising my sanity too?).
With three big story elements already needing to be covered (Mike/Rachel wedding & leaving; the spin-off; and capping off all the Darvey build-up), this story wasn’t really needed, except to set up the expanded firm for season eight, most importantly including Robert Zane. I did enjoy seeing Louis stand beside his new partner against the enemy, which was far more satisfying than other aspects we were promised would be.
A merger of the two firms has been floated before and it’s a little odd that this is finally happening now that Rachel won’t be in the show. I understand that we needed to see Harvey stepping up in to that managing partner role, but having more time to see Rachel working and perhaps clashing with her dad would have been fun, but I’ll move along, as this isn’t really the biggest missed opportunity we need to talk about! I wish it was.
To be fair to the writers (and this will be the only time I say that in this review), 7×15 on its own was a decent episode, which is tainted by the hour that followed it and this storyline did at least give us Harvey and Louis working as a true team – no yelling, no mud slinging, no blaming one another; they just got on with working together to protect their home. I particularly liked Louis standing up for Harvey the moment Alex suggested exactly what Louis once suggested to Jessica, that he take over in charge for a while. I like you Alex (and more Dule Hill will be welcome next season), but I don’t like you that much! The scene with everyone together from the firm at Harvey’s was also nice to see, highlighting the bond they share, which I dearly wish had been carried through in to 7×16 (I’m getting to that).
With the groundwork laid for a bigger firm filled with rivalries and game playing next season, it’s good we ended the year with Louis and Harvey, at long last, working as a team. I just hope this lasts longer than five minutes in to 8×01! Oh and will it be ZSL next year? The fact that acronym is the same as London Zoo will, I know, amuse only me.
One last clinic case for Mike
Not only did we have the firm under attack, but we also saw the clinic under threat due to its latest class action involving children with lead poisoning, covered up by the company responsible. So, right up Mike’s street.
As the horrifying reality of the harm caused was discovered by him, we had one last opportunity to see just how supportive of each other Mike and Rachel are, as they discussed the case at home, with Rachel providing encouragement, love and support to the man she was going to spend her life with. I never tire of seeing these two on screen together and 7B has really highlighted their bond and their maturity as a couple (unlike others in this show).
Having the clinic case yet again highlight to Mike the impossible position he is in, straddling the corporate and clinic lines, was a logical way of underpinning why he would be willing to leave the life he had. As he says to Harvey, it’s time (albeit giving him more than half a second to say it would have been nice, writers!); time for him to go out and be the type of lawyer he was always meant to be (well, assuming he passes the Washington State bar – no cheating now Mike). Plus, thanks to Louis, in one of my favourite scenes of the two episodes, the clinic can live on without him, at least for a while.
Even Scottie knows the Darvey truth of it all!
We’d seen the news that the lovely Abigail Spencer was returning for an episode and I had my fingers crossed this would be to show Harvey that she’d moved on and to give him some Donna-related truths. At least half of this came to pass when, after being drawn yet again in to the firm’s mess and sensibly refusing to taint her reputation for Harvey, she was back to play what I hope is a vital role for Darvey.
On effectively asking Harvey if he wanted to date (couldn’t she be settled and happy by now?), he admits to dating his therapist who he went to to “fix himself” as she puts it. I assume this was the writers’s way of acknowledging that that relationship choice was a giant mess, by the awkward / embarrassed way he admitted it. Yes, Harvey, that was a stupid decision.
Showing more emotional intelligence than Paula Agard did in 13 episodes, despite her so-called medical degree, Scottie zeros in on the biggest obstacle to having a romantic relationship with Harvey – Donna and his feelings for Donna and on seeing her guess is correct, by his cagey answer and face, she’s out. Getting in the middle of that would be crazy, right? No one would choose to do that knowingly would they? Oh…….wait……
This was a superb scene and Gabriel’s silent emotional acting yet again was on point. He gives so much without words, it’s incredible. You actually see, for the first time, the look of realisation and shock pass over Harvey’s face. Was this a lightbulb moment? Is now the only thing standing between him and Donna his false understanding of her feelings? Will the writers even acknowledge this next season? Who knows. Surely bringing Scottie back for this and then not following through would be pointless, but after their writing decisions for the finale, I’m no longer sure of anything.
And talking of Darvey………..
Donna & Harvey – back to normal! Wonderful…….
Season seven has undoubtably been the heaviest Darvey-filled season so far and the further through the episodes we got, the more I started to wonder whether I’d been too cynical, whether there may be real progress by the end of 7×16. Am I disappointed with where their relationship has been left? Of course. Am I surprised? Not really.
As those who’ve read my earlier reviews know, I get most annoyed when the plot doesn’t make sense of the pre-existing narrative (yes, I’m talking about you, 7×01) and if you step back and look at the season as a whole, it was certainly heading in a romantic direction. We all knew Paula would never stay in the picture. It was an unethical relationship from the outset and she was never going to replace Donna in Harvey’s life, because no one can, which Scottie highlighted in mere seconds.
Yet, after 14 episodes of watching the pieces move on the board, from seeing Harvey become a man ready and willing to have a real relationship and be on good terms with his mother, to them openly addressing their blurred lines, Harvey choosing Donna and even after Mike spelling out his view that the two of them being together was something he thought was a great idea (listen to your son, Harvey), there was no conclusion to the season’s heavily- featured Darvey narrative. Aaron Korsh and the writers have done a fantastic job this year, weaving in references, subtle and not so subtle, to the importance of the other in both their lives and yet this season’s chess game (as Gabriel called it) didn’t lead to a checkmate.
Instead, we had the “we drank a whole bottle of scotch and talked all night and now we’re back to normal” scene, which was sweet, but ridiculous in the wider context of the season. Back to normal, guys? Really?! Oh, come on! This is getting old now. The fact they are using scotch as a sex substitute at this point is bonkers. Unless of course they mean they spent all night drinking scotch in bed. If so, then please carry on!
Then there was the wedding, from which we’d already seen those photos weeks ago. With hindsight, I wish we hadn’t now, seeing as it only raised my expectations for us finally getting the elusive “more” we have been waiting for. Did I love the dancing and the gazing across the aisle (you know, in that way all friends do……….)? Obviously. Was it lovely to see them arm in arm walking down the aisle? Of course! The problem is, I’m starting to get frustrated with the crumbs, which only ever seem to lead the narrative so far and then pull back. Clearly the editing of Mike’s vows over the top of Harvey and Donna was deliberate and teasing the audience, but don’t be so blatant if it’s never going to happen.
I’m not an advocate of the giving any one set of fans the storyline they think they deserve in a show. It’s being written for more than just one fan base after all, but Suits is reaching the point of taking the slow burn tease too far and fans who feel frustrated will only stick around so long. As I said in my review of 7×14, the Darvey drag is starting to feel repetitive and could risk becoming as boring to watch as the perceived boredom the writers fear happening by putting them romantically together on screen. They’re lucky we all love Gabriel Macht and Sarah Rafferty so much to keep watching.
Season seven, more than any other, felt as though it was going somewhere for their relationship. They were acknowledging it in a way they never had before and in my view, there needed to be a climax to all of that. It didn’t need to be much – I’m not unrealistic. I understand how television works. A conversation about having a conversation would have been enough; a nod towards the fact they’d both perhaps not admitted the truth, possibly fuelled by Harvey’s need to act on that moment of seeming realisation with Scottie; an acknowledgment that there was something between them they can’t ignore anymore.
Yet, now, the way the season was left, they can, and knowing these writers, I suspect will, ignore it. With new main characters (did we really need that?) and new threats bound to arise, this would have been the time to really take this somewhere and now they haven’t, I have reverted to my old, cynical view, that I’ve had since the early days of watching Suits – that it won’t happen until the very end. I just hope Aaron Korsh is given warning of when that will be, as before this week’s finale, I’d have said with confidence that they’d never rush a key element of this show, but now…….all bets are off.
………which leads me to the biggest and most unexpected disappointment of the finale and the entire season, if not the series to date…………
A 5 minute farewell to two central characters who deserved more
We’ve all known Mike and Rachel we’re leaving for a while. Even before the official announcements, it was obvious that both Meghan Markle and Patrick J. Adams were ready to move on and the show’s creator made clear that they’d been planning for it for some time.
Wonderful! Lots of time then to create a thoroughly deserving farewell to two of the show’s characters after seven seasons! Right……..?
I still cannot believe how rushed the Mike / Rachel departure was in this finale. Yes, they needed to give time to bedding in the foundations of the new Jessica spin-off, but the focus, especially in the back half of the finale, should have been on these two characters, who needed to marry and depart in a satisfying way.
The Chicago thread could have been wrapped up in less time (some of those scenes could have been in episode one of that show), leaving us to focus on what has always been at the heart of Suits – family. It wasn’t an accident Mike soon had none, meaning the firm became his family and that theme has always been a strong one.
Instead, the promo had effectively shown us the whole wedding. I’m not denying that what we did see wasn’t lovely. It was heart warming to see Mike and Rachel commit to each other for life, full of smiles, before dancing in each other’s arms with their friends, but how was doing that in under 5 minutes seen as an acceptable way to handle this vital storyline?!
Yes, we saw Mike say goodbye to Harvey. We had two lovely scenes for them, the one before the wedding, with all the banter we’ve all grown to love and then the emotional scene at the bar, in which Mike tells Harvey he isn’t coming back. It was a beautiful scene, the one that made me the most emotional, thanks to these two actors highlighting yet again how integral to the show their relationship is (and Gabriel’s expression of Harvey’s silent grief at the loss was quite something to watch). However, having Mike literally drop the news on his friend out of nowhere was utterly out of character, but then we’d already seen him seemingly fine to get married without his best man, so out of character was a theme of this finale. These people are a family (apparently Mike mentioned that in his vows, not that we had time to hear them), so surely such monumental news deserved a group scene?! The episode was called Goodbye, yet no one really said it! Their decision could have been made in 7×15 and woven in to the scene at Harvey’s apartment with everyone there to acknowledge that this would be their last fight together. It would have added depth to the moment!
As it stands, we didn’t see anyone say goodbye to Rachel, who clearly will never be back (I hold out hope we’ll at least see Patrick in the very last one). The news could have been included in her scene with Donna. Yes, we had a lovely moment where the two said how much they loved each other and Sarah Rafferty and Markle made the emotion clear, but why not tell Donna why the wedding was being moved up? Why didn’t Donna ask? Yet another strange writing choice if there was to be no big group farewell scene. Plus, we did get two lovely Mike / Louis moments across the two episodes, but that wasn’t the same as goodbye and Louis and Rachel’s bond has been a gem on the show, which again saw no closure.
Did the writers forget that although, the audience knew the actors were leaving, their characters didn’t know?!
It’s fair to say fans often want more than can be aired, due to time, but it’s not unreasonable to expect a goodbye scene when two integral members of the series are leaving and may never be seen again (please come back Patrick, we need it now, more than ever). Jessica had more of a farewell in 6×10 and she was back every 5 minutes! Ironically, after preparing for Darvey disappointment, I was not prepared to be let down in how this Goodbye was handled and it makes me question whether the writers and creator will ever be able to give the show a truly satisfying ending, whenever that is.
Dirty, yet dull, dealings in Chicago
The main reason why Mike and Rachel were so short changed was clear – the need to introduce Jessica’s spin-off. Ironically, 7×16 should have been called Chicago, rather than Goodbye, seeing as the focus was on the spin-off, rather than the end of an era of Suits itself.
I’ve always loved Jessica and Gina Torres and having missed her in the show regularly, had been looking forward to seeing her back and yet I find myself saying something I didn’t expect to say – there was too much Jessica Pearson in this finale.
Yes, they needed to set the scene for a new show, but they didn’t need to dedicate as much time to it as they did, or the Chicago plot line could have been woven more firmly in to the existing world of the show. Look at how Arrow introduced Barry Allen ready for The Flash. Hell, Angel simply said he was off and disappeared through the smoke in Buffy in to his spin-off! There was just too much here. I enjoyed seeing the different tone being set (this will clearly be slightly darker than Suits) and I loved having Harvey and a Jessica side by side again, but the balance of the episode was wrong, taking vital time from the main storyline.
Not only that, but the cutting back and forth to Jessica during the wedding was criminal in my opinion. It was already a blink and you’ll miss it wedding, so chopping it up more was crazy. I yelled at the screen when that gorgeous Mike / Harvey hug was cut off for a full Jessica / Jeff row. It took away from a key moment in a way that is unforgivable, only made worse by the decision to end the episode, not on the happy, celebratory family we love, but Jessica staring out of a window! Seriously?! What were they thinking?!
Ironically, the result of this is to have the opposite effect on me to the one they were no doubt hoping for. Instead of the spin-off being something I am excited to see, it’s now something I might catch up with if I get round to it. The fact it was used to spoil Mike and Rachel’s departure has already tainted it for me and it will take some time for me to be able to forgive the writers for that.
Who edited this finale?!
I don’t remember ever feeling irritated by Suits when it comes to the edit and recently the episodes have been strong, from a pacing and visual perspective (7×11 stands out for me). Yet, the finale felt as if it was edited by a new team altogether. The pacing was poor, which is more the fault of the episode’s content imbalance, but some of the cuts chosen here were, frankly, dreadful.
I’ve already mentioned the wedding/spin-off editing. With this sequence already so short, you’d have expected it to at least be uninterrupted, or cut from say, Harvey and Mike to Rachel and Donna, but no, we all really wanted to see those Jessica scenes, right?
Then there was the blatant use of material from last week. Was so much time spent on the Chicago plot, that in the edit room they realised they didn’t have enough other material? I would have liked Donna overhearing Louis and Alex argue, before hurrying to fetch Mike home to help, were it not for the glaringly obvious fact that this was recycled from 7×14! Fashion is always noticed in Suits, even by casual viewers (my mum being a prime example) and having Donna in last week’s outfit in one scene and then suddenly in another minutes later stood out a mile! Come on Suits, please do better. Your audience pays attention.
Looking ahead to season 8………
I admit, after the disappointments of the finale, I’m not quite ready to think about next season, but it’s how I always end these reviews and I have three months to find my enthusiasm. So, here’s my wish list.
1. Donna, or Louis, watching a recording of the wedding to give me all the bits I feel cheated out of (yes, I know this is unrealistic, but it’s my wish list, okay?)
2. Katherine Heigl’s character NOT dating Harvey! Just don’t do it, Mr Korsh. I beg you.
3. More backstory for Donna, as she is still the most underdeveloped series regular in terms of her life away from the firm.
4. Mentions of Mike and Rachel – gone but never forgotten.
5. Harvey’s mother back and meeting Donna.
6. Lots more Dr Lipchitz – hard to believe he’s only been here a year!
7. More Gretchen & Katrina (we really didn’t need new characters with so many ones already in the show).
8. Donna kicking ass in her job. No more digs at her qualifications. Let her shine.
9. More progress for Donna & Harvey’s relationship! It’s time! Otherwise, what was the point of everything that happened this season?!
10. If this ends up being the last season, Patrick in the last episode. It can be by phone, or in person, but the show can’t end without Mike Ross!
Will any of these happen, who knows, but I have to keep some hope! Until next season, thanks for reading Suitors!